{"title":"Releases From Other Labels","description":"\u003cp\u003eBrowse our Releases From Other Labels collection. 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Synthesizer is a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eSynthesizer \u003c\/i\u003eis a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ewith \u003c\/span\u003e\u003cspan class=\"s2\"\u003eJohn and Sandra Fedowitz. 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Absurd, intense and surprisingly tender, viagr aboys shuts out the noise to fnd that the important part of being alive in the big, stupid world is figuring out that the world inside of you that is equally big and stupid.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eLP Tracks: Man Made of Meat \/ The Bog Body \/ Uno II \/ Pyramid of Health \/ Dirty  Boyz \/ Medicine for Horses \/ Waterboy \/ Store Policy \/ You N33d Me \/ Best In Show  pt. 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The A side has a stronger sense of familiarity with the more rocking numbers, while the B side stretches out in more exploration. Some of the same electronic elements of 2024's \u003c\/span\u003e\u003cem\u003eBlack Holes Don't Choke\u003c\/em\u003e\u003cspan\u003e can be found in songs like \"Music For The People\" and \"Caught Waiting\". There is also a subtle nod to Minor Threat in the lyrics of \"Caught Waiting\". The track \"Path I'd Like to Follow\" is dreamy and meditative - channeling JJ Cale or late sixties San Francisco fog. The opening track is a rocket ship waiting to escape the dull confines of this singular consciousness, and it creates a space for the title track to transcend at will. All of the songs were recorded by Charles Moothart at his studio in Los Angeles. He wrote, performed, recorded, and mixed everything heard on this album. Reserving the right to do as thou wilt is rock and roll 101. The world is chaos, and chaos is creativity. To accept and embrace this is to tap in to the Chaotic Shimmer - a transcendent energy. Music is for the people.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCharles Moothart is a multi-instrumentalist based in Los Angeles. He plays guitar in bands like FUZZ and Primitive Ring, as well as drums in GØGGS and Moonhearts. He was the touring drummer for Ty Segall's Freedom Band, as well as the Ty Segall and White Fence collaborative tours. 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Thomas Edison would host these events called Tone Tests where he'd demonstrate how much audio recordings had advanced by fooling the audience in to thinking they were listening to musicians playing live but it was actually all pre-recorded, playing from a gramophone. 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Available on limited 180g splatter LP (limited to 300 hand-numbered copies and included in the Fuzz Club Membership) or standard clear red vinyl. Pre-order in the US store here.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - - - - - - - - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QitGnV3wfeU?si=T3jn8pf3y2eYlakP\" height=\"500\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e- - - - - - - - - -\u003c\/p\u003e\n\u003cp\u003eToluca, Mexico trio Mirror Revelations return with 'Ígnea', a raw blast of heavy motorik drive and industrial psych intensity that's built to dance as it burns. Stripped to the core with the live show in mind, 'Ígnea' finds pedal-processed synthesisers and a relentless bass-and-drums backbone powering songs of resistance and ignition. \"The name of the album refers to fire, which for us symbolises transformation and change\", the band say: \"Just as a spark can ignite a fire, Ígnea represents that ignition point, the beginning of something that burns, expands, and transforms.\"\u003c\/p\u003e\n\u003cp\u003eMirror Revelation's second full-length and first on their new label home Fuzz Club arrives following their debut album 'Aura', released in 2023 and supported by heavy gigging in Mexico and a UK and European tour the following year. Entirely written, recorded and produced by the band, the transformation heard on 'Ígnea' is something equally darker and more hedonistic, and all the more cathartic for it:\u003c\/p\u003e\n\u003cp\u003e\"Ígnea maintains the motorik, kraut and psych roots that defined Aura, but this time we wanted to fully embrace the ideology of 'less is more'. We decided to reduce the instrumentation so the record could translate more faithfully, powerfully and energetically into our live set. This time we also explored new rhythms with the intention of creating a rawer album, where repetition and intensity carry the message. All the songs revolve around resistance and an inner awakening in the face of oppression and imposition. Lyrically, the album moves away from the more dreamy and spiritual tone of Aura. On Ígnea, we speak about a harsher reality, reflecting the concerns that are increasingly present in our everyday lives.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear Red LP","offer_id":50224948347018,"sku":"tjt1789678099390","price":17.16,"currency_code":"USD","in_stock":true},{"title":"Ltd Splatter LP","offer_id":50224948379786,"sku":"skj1789678099391","price":21.06,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/mirror-revelations---ignea_1.jpg?v=1789678109"},{"product_id":"primitive-ring-primitive-ring-fuzz-club-edition","title":"Primitive Ring - Primitive Ring (Fuzz Club Edition)","description":"\u003cdiv\u003e\u003cb\u003eSelf-titled debut album from Los Angeles power trio Primitive Ring (feat members of Fuzz, Hooveriii and Frankie \u0026amp; The Witch Fingers) released May 15th 2026 on In The Red. Pre-order the Fuzz Club store exclusive edition on tri-colour swirl vinyl, limited to only 150 copies!\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- - - - - - - - - - \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bzlgfeMW2bo?si=gnSp6JHmTyQ_7J_w\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- - - - - - - - - - \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLos Angeles trio Primitive Ring today have announced their new self-titled LP, due out May 15th via In The Red Records. The band has also shared the anthemic, driving lead single \"Heads Will Roll,\" which is accompanied by a Jenny Baumert-directed video. \"This was the last song to come together for the record,\" the band explains. \"The 'missing piece' to tie everything together. Both gentle and bellicose. Primal scream for a dying dream. What is there left to do in the wasteland but ride?\"\u003cbr\u003e\u003cbr\u003ePrimitive Ring is 11 tracks coming in just under 42 minutes. It was recorded by Mark Rains in December of 2025 at The Station House in Echo Park. The album is the genesis story of a lightning bolt flashing in the eternal drama of creation and destruction. The album showcases the distinct writing styles of each member, but the overall aesthetic is a woven tapestry demarcating the timeless meridian. The record is the spawning of a collective vision. This is something we all share, and we must remind one another how electric humanity can be.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePrimitive Ring consists of Bert Hoover (bass\/vocals), Charles Moothart (guitar\/vocals), and Jon Modaff (drums). The Los Angeles power trio formed in September 2024 when Hoover and Moothart came together seeking a new creative outlet. In 2025, the band released four 7\"s on four different labels (Greenway, In the Red, Reverberation Appreciation Society, and Fuzz Club). They hauled amps and drums into bars to hone the sound of the newfound brotherhood that is Primitive Ring. Rock and roll is in its essence a primal experience, and the name reflects that. Three individuals collide and egos rattle, shedding layers and growing new limbs. Archetypes flash to the rhythm of a freight train and the crown is passed hand to hand like a good luck charm, symbolic and communal. Rock and roll is for the people and Primitive Ring is for the taking. At least it will be when the band's debut LP is hurled into the future via In the Red Recordings on May 15th, 2026.\u003c\/div\u003e","brand":"In The Red Records","offers":[{"title":"Default Title","offer_id":50224948510858,"sku":"zmx1789678100085","price":19.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/primitive-ring---primitive-ring-fuzz-club-edition_1.jpg?v=1789678110"},{"product_id":"king-gizzard-the-lizard-wizard-im-in-your-mind-fuzz","title":"King Gizzard \u0026 The Lizard Wizard - I'm In Your Mind Fuzz","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLack BioVinyl LP on Heavenly. 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All-analog mastering by Matthew Lutthans at The Mastering Lab, pressed at Quality Record Pressings and packaged in a tip-on gatefold jacket printed on high-grade board.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI Was Walking Through The Woods\u003c\/em\u003e gathers Buddy Guy's early recordings for Chess Records, all recorded in the early 1960s. The collection spotlights his Chicago blues guitar work, with key tracks including \"First Time I Met The Blues\" and \"I Found A True Love.\"\u003c\/p\u003e\n\u003cp\u003ePart of the Chess Records 75 Series from Chess Records and Acoustic Sounds, this audiophile reissue was remastered from the original analog tapes.\u003c\/p\u003e","brand":"Chess Records (Acoustic Sounds Series)","offers":[{"title":"Default Title","offer_id":50224963420298,"sku":"gfp1789678504106","price":28.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/buddy-guy---i-was-walking-through-the-woods_1.jpg?v=1789678518"},{"product_id":"mildred-maude-sleepover","title":"Mildred Maude - Sleepover","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eThree seemingly disparate characters from Cornwall – Matt Ashdown (guitar), Lee Wade (bass) and Louie Newlands (drums) – \u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" class=\"il\"\u003eMildred\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" class=\"il\"\u003eMaude\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003e are named after one of their grandmas and play an improvised noise that always seems to be teetering on the edge of chaos, but something incredibly beautiful at the same time, like a cross between Sonic Youth and Slowdive. It is utterly thrilling.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eSleepover is their second album and bears the influence of Stereolab, Can, Butthole Surfers, Yo La Tengo and Sun Ra, among others, with three of its four tracks being over 10 minutes in length. ‘Trevena’ is the loping opener; ‘Elliott’s Floor’ initially turned into My Bloody Valentine’s ‘Only Shallow’ by mistake and on the vinyl version it never ends, thanks to a locked groove; ‘Glen Plays Moses’ crosses a Red Sea of sound and is just epic in every way.The odd one out is ‘Chemo Brain’ – just under three minutes of Fugazi-esque frenzy, named after a side-effect of bassist Lee’s cancer treatment. The album artwork is also inspired by this – it’s a molecular model of cyclophosphamide, one of the drugs he was given.\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" class=\"il\"\u003eMildred\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" class=\"il\"\u003eMaude\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003e’s DIY approach has been the only way for them to get anywhere in Cornwall, where they say they feel more in tune with Aphex Twin, Luke Vibert and the Rephlex Records crowd from the 1990s than any current scene. They do, however, unintentionally have something in common with the medieval Miracle Plays that would take place in the Duchy. \u003c\/span\u003e\u003cem data-sanitized-data-mce-fragment=\"1\"\u003e“They were notoriously noisy to attract people to them,”\u003c\/em\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003e explains guitarist Matt, \u003c\/span\u003e\u003cem data-sanitized-data-mce-fragment=\"1\"\u003e“but were also events that brought communities together, and we like our live shows to have a sense of togetherness.”\u003c\/em\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eMatt says he is also inspired by historic places of worship. \u003c\/span\u003e\u003cem data-sanitized-data-mce-fragment=\"1\"\u003e“There are some great places in Cornwall such as St Just Church and the open air Gwennap Pit in Redruth. 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Glen Plays Moses\u003c\/span\u003e\u003c\/p\u003e","brand":"Sonic Cathedral","offers":[{"title":"Default Title","offer_id":50224982196362,"sku":"fco1789678662031","price":7.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/mildred-maude---sleepover_1.jpg?v=1789678670"},{"product_id":"why-dont-you-smile-now-lou-reed-at-pickwick-records-1964-1965-various-artists","title":"Why Don't You Smile Now: Lou Reed at Pickwick Records 1964 -1965 (Various Artists)","description":"\u003cp\u003e\u003cstrong\u003eOxblood \u0026amp; Gold vinyl (Indies Exclusive) with a 20-page LP book. Release date is October 18. 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Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words \u0026amp; Music, May 1965 (2022).\u003cbr\u003eOne of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock \u0026amp; Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist\/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.\u003c\/p\u003e\n\u003cp\u003eThe album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP \u0026amp; CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light\/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (A\/B side) and “Gold” wax (C\/D side). 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Release date is April 3rd.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor nearly 30 years, SUNN O))) – Stephen O’Malley and Greg Anderson – have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, SUNN O))) return with their first album of new material since 2019’s acclaimed Pyroclasts. Their tenth album – their debut for Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.\u003c\/p\u003e\n\u003cp\u003eThe eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. “The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.”\u003c\/p\u003e\n\u003cp\u003eSUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Guðnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm’s Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O’Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. “What’s been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting,” says Anderson.\u003c\/p\u003e\n\u003cp\u003eThe compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.\u003c\/p\u003e\n\u003cp\u003eFraming the album visually are two paintings by the late American artist Mark Rothko. 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Release date is February 27.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe idea was simple: a week in a studio together playing live, no click-track, amps up full, don't stress the spill. BE A BAND.\u003c\/p\u003e\n\u003cp\u003eShortly before recording, we did four sold-out London dates in three days: North, South, East and West. We played the new album across the weekend, tweaking songs between gigs. Then it was into a room in Bruton, Somerset with the JT Soar mobile studio coming down from Nottingham. Five days and it was done, warts-and-all. Some imperfections. Some un-ironed creases. And better that way too.\u003c\/p\u003e\n\u003cp\u003eThis is Hey Colossus album number 15 and record number 30 or 40 or something equally ridiculous. The band is heading towards a quarter of a century of existence and there are some deep thoughts to be had about this. But not here. There's therapy in music; listening AND playing. This felt like therapy. And it was needed.\u003c\/p\u003e\n\u003cp\u003eWe asked Claire from Objections \/ Nape Neck to sing on a song and Angi Fletcher and James Finlay of Nottingham’s Fists to sing on another. Angi did the sleeve too: all our pets, alive or dead, together and reporting back to us that “Heaven was wild!”. They had the best time. No humans allowed, obviously. We don’t deserve it.\u003c\/p\u003e\n\u003cp\u003eAt this point, in 2026, we run our own record label, release our own records, and release music by people we love. It is absolutely the time to be in control. To be able to platform those around who are fighting the same fight. The music industry is in pieces. 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