{"title":"Fuzz Club Recommends","description":"\u003cp\u003eBrowse our Fuzz Club Recommends collection. Free Shipping.\u003c\/p\u003e","products":[{"product_id":"mudhoney-mudhoney","title":"Mudhoney - Mudhoney","description":"\u003cp\u003e\u003cstrong\u003eAvailable on Petrol Vinyl (Indies Only).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSub Pop and Mudhoney celebrate the barnstorming self-titled debut album by Seattle punk\/rock\/fuzz\/g****e legends Mudhoney, originally released in 1989, with a fresh colored-vinyl pressing. This classic album contains 12 tracks of roaring rock music, including the megahits “This Gift” and “Here Comes Sickness.” Mudhoney frontman Mark Arm says “Turn up the tape hiss!!”\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":50224920690826,"sku":"qyc1789677348776","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/mudhoney---mudhoney_1.jpg?v=1789677355"},{"product_id":"sex-swing-golden-triangle","title":"Sex Swing - Golden Triangle","description":"\u003cp\u003e\u003cstrong\u003eAvailable in Green Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e‘What makes Sex Swing so powerful is that they transcend the limitations of rock music. Their sound is so full of possibilities, violence, sexuality, sacrifice, even religion. If there was a future to look forward to for heavy guitar music, this is it’ The Quietus  The locals call it Sop Ruak – eighty thousand square miles of mountains and mystery and unholy medicine. “It really is an endless seam of activity,” Sex Swing frontman Dan Chandler explains of Golden Triangle – both the title of their new album and the region between Myanmar, Thailand and Laos that inspired it. To know this contradictory corner of the world is to understand fully why the cult-beloved noise-rock artisans turned to it when writing their hotly-anticipated third full-length. The real-life Golden Triangle is a groundswell of both natural wonder and drug production, and who combines beauty and narcotic brutality better than Sex Swing? For a decade now, this\u003c\/p\u003e\n\u003cp\u003ecollective of revered UK underground musicians, comprising members of Earth, Mugstar, The Keep and Jaaw, have been pulling audiences into drug- like slipstreams with their alchemy of pummelling rhythms, towering guitars, and unrelenting saxophone through which glimmers of light occasionally pierce through. No wonder their Golden Triangle is an album telling distortion-shrouded tales from one of the most storied, enigmatic places on the planet, with enough invention within to fill eighty thousand miles and more.\u003c\/p\u003e\n\u003cp\u003eWhere does this violent, hypnotic aural travelogue take you within the Sop Ruak? The seven tracks that make up The Golden Triangle see the band – completed by bassist Jason Stoll, drummer Stuart Bell, guitarist Jodie Cox, synthesist\/guitarist Oli Knowles and saxophonist Colin Webster – adventure first to ‘The Confluence of the Ruak and Mekong Rivers,’ full of shimmering orchestration and feather-light ambience. Then come stops in ‘Myawaddy’, named after a small town embroiled in bloodshed on the border of Myanmar and Thailand, and ‘Boten, Route 13’ – sparked by stories of a seemingly endless stretch of road from Laos into China. Before long, listeners are plunged into ‘Hpakant’, one of the album’s most invigorating and singular moments, lyrically inspired by a jade mine in Myanmar, where the spoils of forced labour are exchanged for prostitution and methanphetamine. The result is a mesmerising slow-burn of sax, snaking rhythms and sinister spoken word courtesy of the Scottish-born Bruce McClure, who “took the theme and turned it into a sci-fi story of exploitation and vice,” explains the frontman. It’s a track that, like the rest of Golden Triangle, underlines the evolution Sex Swing have undertaken since forming in 2014. From the raw and primitive sounds of the self-titled debut full-length, followed up by the coruscatingType II in 2020. Sex Swing’s third effort retains those early primitive elements and adds layers of structure and complexity. Golden Triangle initial formation was that of programmed beats and bedroom recordings shared electronically in the height of the pandemic. Those ideas were then completed during intensive writing sessions at a secluded farm in Oxfordshire.\u003c\/p\u003e\n\u003cp\u003eAlbum credits consist of recording by Stanley Gravett at Holy Mountain Studios in Hackney, mixing by Wayne Adams at Bear Bites Horse, mastering from James Plotkin, and the continued aesthetic collaboration with artist Alex Bunn. Golden Triangle bristles with a rawness familiar to fans of the British sonic punishers, but adds new elements indicative of a group never resting on their laurels or sitting in one place. Why would they, after all? There’s an entire world of mountains and mystery and unholy medicine out there to be explored. The Golden Triangle, it seems, is just the beginning.\u003c\/p\u003e","brand":"God Unknown Records","offers":[{"title":"Default Title","offer_id":50224920723594,"sku":"tom1789677353116","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/sex-swing---golden-triangle_1.jpg?v=1789677356"},{"product_id":"dead-paradise","title":"DEAD - Paradise","description":"\u003cp\u003e\u003cstrong\u003eAvailable 12\" White\/Transparent Vinyl, limited to 300 copies. Out November 8 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fPbgG0ePiJk?si=VR9v-uJiBRZqatgT\" height=\"500\" width=\"100%\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDead is not over. 4 years after their latest EP, the band is back with a second new album « Paradise ».\u003c\/p\u003e\n\u003cp\u003eWhat more can you say about a band called DEAD that hasn’t already been made abundantly clear at first glance? The fact that these French mercenaries of noise can conjure up such a powerfully dark aesthetic before even hitting a note is impressive, but when they finally do, they unleash a far more potent beast entirely. If DEAD aren’t already mapping out the future destruction of the planet, they’ve sure as hell written the soundtrack. Bleak, confrontational, but with a firm command of rhythm and deep grooves, this might be the dancefloor antidote we’ve been waiting for.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FbWLTTmZO0U?si=OFqSy-0vLj3Mj_o0\" height=\"500\" width=\"100%\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"DEAD","offers":[{"title":"Default Title","offer_id":50224921149578,"sku":"qom1789677371392","price":16.38,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/dead---paradise_1.jpg?v=1789677375"},{"product_id":"sleaford-mods-the-demise-of-planet-x","title":"Sleaford Mods - The Demise Of Planet X","description":"\u003cp\u003e\u003cstrong\u003eNeon Green Marble Vinyl (Indies Exclusive). Release date is January 16.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e----------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAndrew Fearn and Jason Williamson’s most expansive and ambitious release to date, the album features a rare guest appearance from former Life Without Buildings frontwoman Sue Tompkins, plus collaborations with Aldous Harding, soul singer Liam Bailey and grime MC Snowy, the latter two both hailing from band’s hometown Nottingham.\u003c\/p\u003e\n\u003cp\u003eIn her first foray into music, actress Gwendoline Christie (Wednesday\/Severance\/Game Of Thrones) also joins Midlands band Big Special on Sleaford Mods new single The Good Life, which is released today accompanied by a video directed by Ben Wheatley (The Kill List\/A Field In England\/Bulk).\u003c\/p\u003e\n\u003cp\u003eBoasting the duo’s most varied and expressive musical approach so far, ‘The Demise Of Planet X’ charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.\u003c\/p\u003e\n\u003cp\u003eContemplating the world coming to an end not with a big bang but in slowly rising tide of irritating mundanity, ‘The Demise Of Planet X’ strikes back with vivid sonics, acerbic words, enveloping atmospheres and a engaging wit across 13 tracks that will move hearts, minds and feet.\u003c\/p\u003e\n\u003cp\u003e‘“The Demise Of Planet X’ represents a life lived under immense uncertainty, shaped by mass trauma,” declares frontman Jason Williamson. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse. Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid whilst social media has mutated into a grotesque, twisted form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”\u003c\/p\u003e\n\u003cp\u003eHe adds: “I don't want to pat myself on the back while the rest of the world falls to shit, but we’re really happy with ‘The Demise Of Planet X’. The music and ideas are really fresh and it's in your face, but it pays to put your glasses on to look at the ingredients.”\u003c\/p\u003e","brand":"Rough Trade","offers":[{"title":"Default Title","offer_id":50224925900938,"sku":"opb1789677580841","price":19.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/sleaford-mods---the-demise-of-planet-x_1.jpg?v=1789677586"},{"product_id":"kenny-dorham-quiet-kenny-stereo","title":"Kenny Dorham - Quiet Kenny (Stereo)","description":"\u003cp\u003e\u003cstrong\u003eAll mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I've never heard an original pressing, but this reissue by Chad Kassem's Analogue Productions — a 180-gram QRP pressing, mastered at 33 1\/3 RPM by Kevin Gray — is every bit the equal of Van Gelder's Blue Note LPs from the same era: the trumpet's brash brass and bushels of air, the pluck and wood of the bass, the sizzling hi-hat and smashing snare of the trap set. ... Listen to 'Blue Friday,' and you'll be reminded of the trumpet-led passages on 'Stolen Moments,' the high point of Oliver Nelson's The Blues and the Abstract Truth. There's a similar sound, and it's no accident.\" — Fred Kaplan, Stereophile, Feb. 8, 2017. Read the whole review here.\u003c\/p\u003e\n\u003cp\u003eQuiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether limning ballads such as \"My Ideal,\" \"Alone Together,\" \"I Had the Craziest Dream,\" and \"Old Folks,\" or investigating the timelessness and intricacies of the blues (his originals in this set with \"Blue\" in their titles), the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle swing, personal sound, and finely-honed harmonic sense. Along the way these reflections and connections with Bird, Coleman Hawkins, Sonny Rollins, Max Roach, Harry James, and Louis Armstrong make for a rich legacy. With Tommy Flanagan, Paul Chambers and Arthur Taylor\u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":50224931668106,"sku":"vxa1789677740467","price":37.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/kenny-dorham---quiet-kenny-stereo_1.jpg?v=1789677746"},{"product_id":"kim-gordon-play-me","title":"Kim Gordon - Play Me","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWhite vinyl. Release date is March 13\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e---------\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eKim Gordon’s vision of art and noise has come sharper into focus just as readily as it has changed—a paradigm of possibility that, four decades on, still feels like a dare. The adventure continues on the artist’s third solo album, PLAY ME, which will be released March 13 by Matador Records. The lead track ‘NOT TODAY’ is available now, accompanied by a short film directed by Rodarte fashion label founders and filmmakers Kate and Laura Mulleavy with director of photography Christopher Blauvelt. The song brings out a poetic tension in Gordon’s voice. “I started singing in a way I hadn’t sung in a long time,” she says. “This other voice came out.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePLAY ME is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says of her continued collaboration with LA producer Justin Raisen (Charli XCX, Sky Ferreira, Yves Tumor). “We wanted to do it really fast. It’s more focused, and maybe more confident. I always kind of work off of rhythms, and I knew I wanted it to be even more beat-oriented than the last one. Justin really gets my voice and my lyrics and he understands how I work—that came forth even more on this record.”\u003c\/p\u003e\n\u003cp\u003eIn 2019, Gordon’s debut solo LP No Home Record proved she was attuned as ever to vanguard sounds, mixing avant-rap and footwork into her sonic conceptual art. The Collective, in 2024, was brick-heavy and even more daring, led by the tectonic industrial clatter of her packing-list-cum-rage-rap banger ‘BYE BYE’ and earning two Grammy nominations.\u003c\/p\u003e\n\u003cp\u003eThe fast-following PLAY ME processes, in Gordon’s inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times fascism, the A.I.-fueled chill-vibes flattening of culture - where dark humor voices the absurdity of modern life. But despite its frequent outward gaze, PLAY ME is an interior record, one in which a heightened emotionality pulses through physical jams, rejecting definitive statements in favor of an inquisitiveness that keeps Gordon searching, ever in process.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":50224931864714,"sku":"dxb1789677742814","price":19.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/kim-gordon---play-me_1.jpg?v=1789677748"},{"product_id":"muddy-waters-folk-singer-45-rpm","title":"Muddy Waters - Folk Singer (45 RPM)","description":"\u003cp\u003e\u003cstrong\u003eCut at 45 RPM for the first time ever. From the original 1964 Chess analog masters. Pressed at Quality Record Pressings. Mastered by Bernie Grundman. New gatefold jacket, with extra photos.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are a handful of landmark albums in any genre. In the blues, one of them is Muddy Waters' Folk Singer. It's been an audiophile staple for years. Originally released in 1964, Folk Singer was the only acoustic album Waters ever recorded, thus becoming the first and perhaps best blues concept album ever. Muddy of course started out playing acoustic blues in the Delta, and he's clearly very comfortable in this return to his roots, which was designed to appeal to the mid-1960s surge of interest in folk music.\u003c\/p\u003e\n\u003cp\u003eMuddy's supporting cast includes a very young Buddy Guy on guitar, Willie Dixon at the upright bass and Clifton James on drums.\u003c\/p\u003e\n\u003cp\u003eThis recording has enormous presence with ample room for Muddy's booming voice to resonate.\u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":50224933044362,"sku":"feg1789677763681","price":53.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/muddy-waters---folk-singer-45-rpm_1.jpg?v=1789677771"},{"product_id":"chet-baker-in-new-york","title":"Chet Baker - In New York","description":"\u003cp\u003e\u003cstrong\u003eMastering by Kevin Gray and Steve Hoffman at Acoustech Mastering. Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings. Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn Chet Baker — In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring — and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.\u003c\/p\u003e\n\u003cp\u003eChet Baker didn't play the trumpet. He seduced it. His tone? So velvety, you might try spreading it on toast. His solos? Like a conversation with someone who never raises their voice — but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.\u003c\/p\u003e\n\u003cp\u003eChet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the \"Little Giant\" brings a big sound and a bebop bite, pushing Chet into edgier territory — and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass — he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.\u003c\/p\u003e\n\u003cp\u003eAmong the tracks, \"Fair Weather\" opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. \"Solar\" is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. \"Polka Dots and Moonbeams\" is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.\u003c\/p\u003e\n\u003cp\u003eThis vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\u003c\/p\u003e\n\u003cp\u003eThis is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career — between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.\u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":50224933339274,"sku":"wmn1789677768198","price":66.22,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/chet-baker---in-new-york_1.jpg?v=1789677773"},{"product_id":"geese-3d-country","title":"Geese - 3D Country","description":"\u003cp\u003e\u003cstrong\u003eIndies Only - Crystal clear vinyl LP on Partisan Records\/Play It Again Sam. Includes printed inner sleeve with lyrics, and obi strip.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn 5 piece, indie rock prodigies and literal children Geese return in a new incarnation for their second album ‘3D Country’. Buoyed by the success of their much-hyped, much-lauded debut ‘Projector’, a sophomore album in the same vein would seem an open goal. Thankfully Geese have bucked expectations, tweaked the formula and returned with a more mature, streamlined and expansive sound.\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":50224934453386,"sku":"ure1789677780153","price":22.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/geese---3d-country_1.jpg?v=1789677788"},{"product_id":"the-bug-club-every-single-muscle","title":"The Bug Club - Every Single Muscle","description":"\u003cp\u003e\u003cstrong\u003eLoser Edition on Blue Vinyl. Release date is May 29\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Bug Club are back with a new album. It’s been a whole seven months since their last. Where have they been?\u003c\/p\u003e\n\u003cp\u003eEvery Single Muscle, the band’s fifth LP overall, is the third to be released by the Welsh duo’s esteemed Seattle-based patrons Sub Pop. Since Very Human Features, which emerged in June of 2025, the non-stop tour has seen the BBC 6 Music and KEXP favourites ping-pong across the Atlantic like they used to the Severn Bridge. Various festival slots in the summer kept them from having any sort of holiday - who needs one when you live in Wales anyway? - until it was time to head back to the writing room. Which is most likely still a bedroom in Caldicott frequented by a greyhound called Ted (listen out - he shows up in one of the songs).\u003c\/p\u003e\n\u003cp\u003eEver self-effacing, songwriters Sam (guitar, vocals) and Tilly (bass, vocals) go as far as to claim that they’ve been sitting around “doing nothing at all” during the song “It’s Our Manager David.” That’s clearly a lie. Every Single Muscle gets off to a full-throttle, chugging start with “Miss Wales 2012,” referencing a competition both Tilly and Sam have actually won. It’s the first of many sub-two-minute tracks on the album, setting the tone for The Bug Club’s punkiest offering yet and recalling both the short, sharp snaps of their very first singles and the grunt of recent releases. So packed is the album with wall-to-wall riffs and lyrical hooks rammed into tight confines that Sam actually asks permission to squeeze in a solo during second track “A Good Day For Dying.” He’s given two seconds.\u003c\/p\u003e\n\u003cp\u003eHappily, Sam asks again later on and is granted more. Across eighteen tunes there’s enough classic Sam\/Tilly guitar interplay to satisfy even the most vociferous Bug Club club member and firmly refute the band’s own claim that they are only “just about technically proficient on our instruments.” This record’s an exercise in efficient maximalism - the musical equivalent of your dad packing the car for a holiday. Bring what you like; space is tight but they’ll get it in there somehow.\u003c\/p\u003e\n\u003cp\u003eOn to the words: While Very Human Features did an excellent job of pointing at everyday things and highlighting their absurdity, on Every Single Muscle The Bug Club look more closely at themselves. Not so much in an introspective way, though. More in a way an alien might probe a captive specimen on an intergalactic gurney. Horror movies get their “body” subgenre, now garage rock albums get theirs. Self-interested in an entirely new sense of the term, the human form and condition is prodded and inspected from every angle over the course of the album. We get a sense of surreal detachment from the self that sets up the ever-present ennui-laden humour; the last song sees Sam announce he’s “bored of being human.\" The Bug Club seem almost suspicious of the concept of being a person - as if they’ve woken up in a costume they didn’t want to put on and cannot take off.\u003c\/p\u003e\n\u003cp\u003eIs three the magic number? Probably not. But Every Single Muscle - Sub Pop album number three for The Bug Club - certainly comes close enough to convince your average strange human person that it might be.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":50224935927946,"sku":"isf1789677808025","price":20.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/the-bug-club---every-single-muscle_1.jpg?v=1789677816"},{"product_id":"muddy-waters-the-best-of-muddy-waters","title":"Muddy Waters - The Best Of Muddy Waters","description":"\u003cp\u003e\u003cstrong\u003eAll-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios. 180-gram vinyl pressed at Quality Record Pressings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMuddy Waters' The Best of Muddy Waters is a powerful collection of blues songs that include essential tracks such as \"Hoochie Coochie Man,\" and \"Rollin' Stone.\" If the blues had a Mount Rushmore, Muddy Waters' face would be carved front and center, cigar in hand, guitar slung low, smirk that says \"You're about to feel this in your bones.\"\u003c\/p\u003e\n\u003cp\u003eIf there's one record that cemented Waters' legend (and made Chess Records the powerhouse that rewrote American music), it's The Best of Muddy Waters. Originally released in 1958, this was Chess Records' very first LP — a bold move in an era when blues records were singles-driven. Leonard and Phil Chess weren't just pressing vinyl; they were pressing the future. The album gathered 12 scorching sides recorded between 1948 and 1954, each one a blueprint for modern electric blues and a direct ancestor of rock 'n' roll.\u003c\/p\u003e","brand":"Acoustic Sounds Series","offers":[{"title":"Default Title","offer_id":50224935960714,"sku":"jch1789677810628","price":31.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/muddy-waters---the-best-of-muddy-waters_1.jpg?v=1789677816"},{"product_id":"howlin-wolf-moanin-in-the-moonlight","title":"Howlin' Wolf - Moanin' In The Moonlight","description":"\u003cp\u003e\u003cstrong\u003eAll-analog mastering by Matthew Lutthans at The Mastering Lab. 180-gram vinyl pressed at Quality Record Pressings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHowlin' Wolf's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoanin' in the Moonlight\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a compilation album released by Chess Records in 1959, comprising songs recorded between 1951 and 1959 previously issued as singles, including the iconic hit \"Smokestack Lightnin'.\" As\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eput it, \"The Wolf had the biggest roar in Chicago blues — he raved in a fierce growl, backed by explosive playing from guitar geniuses Willie Johnson and Hubert Sumlin. His 1959 debut album has some of the meanest electric blues ever heard ... from the eerie railroad drone 'Smokestack Lightnin' to the lowdown 'I Asked for Water (She Gave Me Gasoline).\"\u003c\/p\u003e\n\u003cp\u003eFounded in 1950 by Polish immigrant brothers Leonard and Phil Chess, Chess Records emerged from the south side of Chicago and enhanced and transformed the blues from folk music to popular sound. Wolf added the raw, untamed electricity that turned the blues into a primal force. With Willie Dixon's songwriting magic, Hubert Sumlin's razor-sharp guitar lines, and Wolf's voice — a voice that sounds like it was carved out of granite with a switchblade —\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eMoanin' in the Moonlight\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebecame an anchor of the Chess empire.\u003c\/p\u003e\n\u003cp\u003eEach release in the Chess Records 75 Series is remastered from the original analog tapes by Matt Lutthans at The Mastering Lab, the wizard who understands that the Wolf's growl should shake your floorboards, not your ears! Likewise, if vinyl had a luxury spa, Quality Record Pressings would be it. Dead-quiet surfaces, 180-gram heft, and grooves so pristine — it's Chess mono magic, restored with soul! It's big, it's warm, and the sound is alive. Like Wolf himself just walked into your listening room. Lastly, reissues in this series are housed in archival quality tip-on gatefold jackets, offering both audiophiles and collectors a premium listening experience. \u003c\/p\u003e\n\u003cp\u003eBottom line —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoanin' in the Moonlight\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eisn't just an album; it's the cornerstone of electric blues. It's the sound of raw power before marketing departments figured out how to package it. Spin this reissue and rediscover why blues fans treat this record like sacred text — because when the Wolf howls, the world still listens.\u003c\/p\u003e","brand":"Acoustic Sounds Series","offers":[{"title":"Default Title","offer_id":50224936681610,"sku":"fou1789677828055","price":29.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/howlin-wolf---moanin-in-the-moonlight_1.jpg?v=1789677837"},{"product_id":"ulrika-spacek-the-album-paranoia","title":"Ulrika Spacek - The Album Paranoia","description":"\u003cp\u003e\u003cstrong\u003eLP now on black vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUlrika Spacek is a British experimental rock band formed in Berlin by Rhys Edwards and Rhys Williams, relocated to Homerton, London.  Work on debut album ‘The Album Paranoia’ began in the summer of 2014 in the band’s shared house KEN, and was finished there last month. In conjunction to the making of ‘The Album Paranoia’, the band has curated a number of nights under the name ‘Oysterland’ combining their first live performances with a series of exhibitions. The band's music has drawn various interpretations, a cross pollination of hypnotic fuzz, Verlain-Malkmus guitar idiosyncrasies and intertwining feelings of both angst and melancholia. \u003c\/p\u003e","brand":"Tough Love","offers":[{"title":"Default Title","offer_id":50224937599114,"sku":"kgy1789677840037","price":11.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/ulrika-spacek---the-album-paranoia_1.jpg?v=1789677846"},{"product_id":"silver-apples-oscillations-studio-mixthe-edge-of-wonder-andrew-weatherall-remix","title":"Silver Apples - Oscillations Studio Mix\/The Edge of Wonder (Andrew Weatherall Remix)","description":"\u003cp\u003e\u003cstrong\u003eFrosted Clear\/Clear Purple Two Colour Vinyl + Silver Apples Logo Slipmat. Release date is May 15.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis reissue marks the creation of Silver Apples Foundation, which is both a non profit organisation and new imprint whose mission is to honour the legacy wishes of Simeon Coxe to preserve the memory of Silver Apples by promoting electronic music and the setting up of an electronic music scholarship fund. This release will be followed later in the year with the long awaited Silver Apples biography, ‘Electronic Evocations', by music journalist and writer Kris Needs. This version of Oscillations was the last ever recording by Simeon at his ChickenCoop studio in Fairhope Alabama in 2019 and captures how he liked to play it live. Backed with the late Andrew Weatherall's remix of The Edge of Wonder, taken from Silver Apples last ever album Clinging to a Dream. The sleeve art features an Oscillator drawn by Simeon in 2014, while the back cover uses the original Silver Apples logo. But to make this release extra special it comes with a Silver Apples slipmat, featuring the iconic Apples logo\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Apples Foundation","offers":[{"title":"Default Title","offer_id":50224939860106,"sku":"uhh1789677855001","price":22.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/silver-apples---oscillations-studio-mixthe-edge-of-wonder-andrew-weatherall-remi_1.jpg?v=1789677866"},{"product_id":"bill-evans-quintessence","title":"Bill Evans - Quintessence","description":"\u003cp\u003e\u003cstrong\u003eMastering by Kevin Gray and Steve Hoffman at Acoustech Mastering. Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings. Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReady yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans — Quintessence, has the maestro diving headfirst into a lush, melodic hornscape — an elegant, smoky surprise.\u003c\/p\u003e\n\u003cp\u003eLet's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right — not just his beloved trio format, but a quintet, people.\u003c\/p\u003e\n\u003cp\u003eNo safety net. No piano bench to hide behind. Just sheer harmonic magic.\u003c\/p\u003e\n\u003cp\u003eThe Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) — The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown — The anchor of jazz itself. You want groove? He'll give you groove. You want soul? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\u003c\/p\u003e\n\u003cp\u003eTogether, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill — they're expanding him!\u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":50224940220554,"sku":"icu1789677864949","price":52.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/bill-evans---quintessence_1.jpg?v=1789677874"},{"product_id":"miles-davis-kind-of-blue","title":"Miles Davis - Kind of Blue","description":"\u003cp\u003e\u003cstrong\u003ePressed at Quality Record Pressings using Classic Records parts that were mastered by Bernie Grundman from the original master tape. Includes 4-panel insert with corrected speed information and liner notes by Robert Palmer. Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLegends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into \"Best Of\" lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.\u003c\/p\u003e\n\u003cp\u003eIt continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian \"Cannonball\" Adderley with Wynton Kelly playing piano on \"Freddy the Freeloader.\"\u003c\/p\u003e\n\u003cp\u003eKind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. \"The music has gotten thick,\" Davis complained in a 1958 interview for The Jazz Review. \"... There will be fewer chords but infinite possibilities as to what to do with them.\" Kind of Blue is, in a sense, all melody — and atmosphere.\u003c\/p\u003e\n\u003cp\u003eNone of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\u003c\/p\u003e\n\u003cp\u003eMiles remained proud of the album, performing at least two of its tracks — \"So What\" and \"All Blues\" — for years after, until his musical path took him in a different direction.\u003c\/p\u003e\n\u003cp\u003eHistory was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\u003c\/p\u003e\n\u003cp\u003eThis LP pressed on blue vinyl (limited to 1,500 copies) bridges the time span since the album's original recording in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":50224940777610,"sku":"ozc1789677883851","price":60.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/miles-davis---kind-of-blue_1.jpg?v=1789677891"},{"product_id":"the-early-years-modern-moonlight","title":"The Early Years - Modern Moonlight","description":"\u003cp\u003e\u003cstrong\u003eNeon Vinyl LP. Release date is May 22.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Early Years release their new album, ‘Modern Moonlight’, via Sonic Cathedral on May 22. It’s their first in a decade and just their third in 20 years, following their eponymous debut for Beggars Banquet in 2006 and ‘II’, which was released on Sonic Cathedral in 2016 and recently named as one of Uncut’s Greatest Albums of the 2010s.\u003c\/p\u003e\n\u003cp\u003eIt was worth the wait. It’s a stunning mix of Davids Bowie and Byrne, John Cage, Conny Plank, Brian Eno, Radiohead. “All the usual stuff,” says nominal frontman Dave Malkinson. “Loved ones and Italian red wine played a part, too, Oblique Strategies…”\u003c\/p\u003e\n\u003cp\u003eThere is nothing particularly oblique about the ten tracks here, though. ‘A New Way Of Living’ is a nod to not only Berlin-era Bowie, but also their own single ‘Like A Suicide’, the band’s first release for Sonic Cathedral back in 2008. The febrile funk of ‘Get Up Get Out’ is like The Stooges recoding the DNA of ‘Here Come The Warm Jets’. ‘The River’ – which snuck out as a single late last year – aims for an Eno \/ Moroder cross, but ends up sounding like James Holden. ‘Heaven Over There’ is huge and heartbreaking, a ballad for our times, up there with The Verve or even Elbow at their most anthemic and vulnerable. ‘Tired Eyes’, meanwhile, recalls ‘Fading Frontier’-era Deerhunter.\u003c\/p\u003e\n\u003cp\u003eThe start of the second half ups the tempo. ‘Shimmering Stone’ mixes LCD Soundsystem with what sounds like Gregorian chants. ‘The Gift’ sounds like a party in a studio, which it was, recorded at Monnow Valley in South Wales. ‘Three Quarters’ is a Beta Band meets A Certain Ratio-style groove based around a simple Steve Reich-esque loop with timbales. The title track is inspired by the more acoustic Verve tracks on ‘No Come Down’ and closer ‘Silver Lips (Champagne Eyes)’ sparkles and fizzes across its two halves, with vocals by Lorena Quintanilla from labelmates Lorelle Meets The Obsolete.\u003c\/p\u003e\n\u003cp\u003e“I wanted the album to be called ‘III’, but the others vetoed that,” says guitarist Roger Mackin. “‘Modern Moonlight’ came about at 2am when we were writing the song.”\u003c\/p\u003e\n\u003cp\u003e“Heroes don’t stand in sunlight anymore, they stand in the bluish glare of a phone at 2am wondering if anyone else is listening or even awake,” expands drummer Phil Raines. “Moonlight is not a thing, it’s a condition, light that has already touched something else. It’s borrowed. Reflected. Slightly late. It is the expectation of the present arriving after we’ve moved.\u003c\/p\u003e\n\u003cp\u003e“So, this is not about our moon. It’s about how we’re all responding to the world we’ve found ourselves living in, hoping for utopia, but realising we’re all late to the party.”\u003c\/p\u003e\n\u003cp\u003eIn the case of ‘Modern Moonlight’, it’s better late than never.\u003c\/p\u003e","brand":"Sonic Cathedral","offers":[{"title":"Default Title","offer_id":50224941498506,"sku":"yme1789677915101","price":22.12,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/the-early-years---modern-moonlight_1.jpg?v=1789677924"},{"product_id":"wynton-kelly-kelly-blue","title":"Wynton Kelly - Kelly Blue","description":"\u003cp\u003e\u003cstrong\u003eMastering by Kevin Gray and Steve Hoffman at Acoustech Mastering. Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings. Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're assembling a jazz collection and Kelly Blue isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero — blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights.\u003c\/p\u003e\n\u003cp\u003eAnd Kelly brought friends on this auspicious date. Paul Chambers (bass) — So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) — Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor sax), and Bobby Jaspar (flute) — Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly — they elevate him.\u003c\/p\u003e\n\u003cp\u003eBottom line, Kelly Blue is an essential slice of jazz heaven — warm, witty, effortlessly cool.\u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":50224941564042,"sku":"vly1789677920860","price":51.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/wynton-kelly---kelly-blue_1.jpg?v=1789677928"},{"product_id":"white-fence-orange","title":"White Fence - Orange","description":"\u003cp\u003e\u003cstrong\u003eBlack LP. Release date is April 24\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLike a lightning strike that travels through time — is there a word for that? — White Fence are all of a sudden cracking in the hear-view mirror again. Orange hits like, visceral. White hot and cold, a zombie Rhinestone Dwight Twilley Cowboy — but with each Rickenbackin’ chime, the ticking of the clock jingle-jangles White Fence in fresh time. Ruthless!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGuitars sound and like a shower spray forth. Resolutely picked. Cold and soothing. Shellodic (the melody in a shell, duh!). Swivelin’ thru the jagged, jittery pop sounds of the 60s-00000s, the sharped focus of Orange’s rock sonics gives Tim Presley exactly what he needed the most: open space to sing into, and songs to sing. The rest is White Fence magik at its most dark, as Tim's restless free-allusivation trippifyingly transforms the cramped confines of heart wracked self-excoriation right before our eyes and ears! In pop songs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn (the mixing) board with White Fence\/on the (drum) kit with Tim is Ty Segall (also producer of For the Recently Found Innocent, the last solo White Fence album). Engineering tactics fully hand-in-glove with the White Fence intent, they produce a clean and uncrowded space to mount up all the rock ‘n balladry, their clean lines surrounded by an emphatic\/unalterable (minimalist) frame. These are hits! All of ‘em gleaming with clean electricity, and white (sometimes black-and-blue-eyed) soul. Hard water and power held in stylish reserve: “Your Eyes,” “Given Up My Heart,” “Unread Books,” “Evaporating Love” number among the many highlights.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTim’s lyric sets and chord progressions, with their perspectives, time codes and smash cuts, give up eleven fleeting glimpses from the other side of the 'Fence, each outfitted as foot-forward pop tunes for maximum rock ‘n roll. On the “title” tune, “I Came Close, Orange For Luck,” the lyrics’ dire implication, blurred sumptuously by Tim’s eerie falsetto, twist strands of dread into the sunshiny college rock, sharing sum space with old schoolboys, The Smiths, while straying, an outcast of its own kind. Or the Lennon vibes of \"Unread Books,\" operating through carefully twisted Presley wires. Production polarities on point! Playing with genre throughout the album like a space-age Kinks, Tim’s natty wordplay splatters against the songs' rock-solid edifice, spilling an infinitum of cracked, shaggy realities, billowing, mirrored, sharded. When it all moves, you move, and that’s fun, so long as you savor the deep impact of a couplet from “I Wanted a Rolex”:\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":50224941924490,"sku":"yni1789677945236","price":20.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/white-fence---orange_1.jpg?v=1789677951"},{"product_id":"angine-de-poitrine-vol-2","title":"Angine De Poitrine - Vol. 2","description":"\u003cp\u003e\u003cstrong\u003eBlack Vinyl with printed insert.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChannelling the spirit of Earth’s greatest rockstars, time-traveling duo Angine de Poitrine are endlessly fascinated by hot dogs, pyramids, and the sheer grandeur of rock music.\u003cbr\u003eWith driving drum grooves and intricately layered microtonal guitars, Klek and Khn de Poitrine conjure hypnotic sonic and visual vortices.\u003c\/p\u003e\n\u003cp\u003eTheir live KEXP session has racked up millions of views—and counting. At the time of writing, Fabienk sits among the 50 most Shazamed tracks worldwide. Add to that sold-out shows, international festival appearances, and vinyl pressings in the tens of thousands to keep up with demand… All of which mostly matters to humans. Angine de Poitrine, for their part, are just happy to play rock’n’roll.\u003c\/p\u003e","brand":"Spectacle Bonzai","offers":[{"title":"Default Title","offer_id":50224943202442,"sku":"caj1789677985310","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/angine-de-poitrine---vol-2_1.png?v=1789677993"},{"product_id":"pond-terrestrials","title":"Pond - Terrestrials","description":"\u003cp\u003e\u003cstrong\u003eLimited pressing of 2,500 on ‘Seabird Blue’ 180g vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeloved Australian five-piece POND offer a skerrick of hope in a hostile world with their new record - their 11th - Terrestrials. A cyclone of urgent, scorched earth rock’n’roll, Terrestrials tips the hat to the sounds of then while squarely facing up to the here and now. Conceived from a place of reverence for a particularly potent epoch in Oz rock, Terrestrials mines the sound of open sky melancholia, heat haze sizzling on the plains and jangly pub backrooms that hits an eternally poignant nerve for anyone familiar with the sound, time and place.\u003cbr\u003eLike much of the Pond catalogue, Terrestrials is a record of people and place, of exploring the identity of each, as well as where and how they intersect and interact. Terrestrials twitches with the desperation of people and planet on the brink, but ultimately bets on the beauty of both to prevail.\u003cbr\u003e“This one is hitting me this morning. It's got all this strutting, preening glam-rock\/new wave energy, but it's too weird and oblique to play as pure pastiche.\" – Stereogum on “Terrestrials”\u003c\/p\u003e","brand":"MANGOVISION","offers":[{"title":"Default Title","offer_id":50224943464586,"sku":"xlk1789677993070","price":22.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pond---terrestrials_1.jpg?v=1789678000"},{"product_id":"angine-de-poitrine-vol-1","title":"Angine De Poitrine - Vol. 1","description":"\u003cp\u003e\u003cstrong\u003eBlack Vinyl with printed insert.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChannelling the spirit of Earth’s greatest rockstars, time-traveling duo Angine de Poitrine are endlessly fascinated by hot dogs, pyramids, and the sheer grandeur of rock music.\u003cbr\u003eWith driving drum grooves and intricately layered microtonal guitars, Klek and Khn de Poitrine conjure hypnotic sonic and visual vortices.\u003c\/p\u003e\n\u003cp\u003eTheir live KEXP session has racked up millions of views—and counting. At the time of writing, Fabienk sits among the 50 most Shazamed tracks worldwide. Add to that sold-out shows, international festival appearances, and vinyl pressings in the tens of thousands to keep up with demand… All of which mostly matters to humans. Angine de Poitrine, for their part, are just happy to play rock’n’roll.\u003c\/p\u003e","brand":"Spectacle Bonzai","offers":[{"title":"Default Title","offer_id":50224943661194,"sku":"fqn1789677976301","price":17.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/angine-de-poitrine---vol-1_1.png?v=1789678010"},{"product_id":"sweeping-promises-you-say-i-romanticize","title":"Sweeping Promises - You Say I Romanticize","description":"\u003cp\u003e\u003cstrong\u003eLoser Edition Vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSweeping Promises’ introduction to the global punk underground was their debut album, Hunger for a Way Out, which ended up being one of the breakout successes in music during pandemic lockdown. In 2023, they followed up with Good Living is Coming for You, a satirical, hyper-critical rebuke of capitalism that made Album of the Year lists for Pitchfork, NPR, Paste, and BBC, just to name a few. Bassist\/vocalist Lira Mondal and guitarist Caufield Schnug decided to tilt their approach a few degrees forward on their third LP.\u003c\/p\u003e\n\u003cp\u003eThe big theme of You Say I Romanticize is hinted at in its title. Coming from a lyric sung on album closer “Write Lightly”—a narrative about the importance of self-expression in writing being scrubbed away by “professional” concerns—many of the characters singer\/bassist Mondal fleshed out here are outcasts, marginalized by society and turned into fanatics for a cornucopia of specific causes.\u003c\/p\u003e\n\u003cp\u003eThe visceral songwriting on You Say I Romanticize features an equally visceral musical approach. Sweeping Promises brought live drummer Spenser Gralla into the recording sessions to give the songs a similar urgency to their live show. The frenzy of its execution also materializes in Mondal’s vocal performances.\u003c\/p\u003e\n\u003cp\u003eA shadow side exists along with Sweeping Promises’ love of their artistic community—borne of weirdos channeling their “outcast” status into vibrant art and punk rock music. You Say I Romanticize takes the ethos Mondal and Schnug have developed and explores the obsessive, fanatical aspects of being ostracized and isolated by mainstream society.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":50224943792266,"sku":"vox1789678005536","price":18.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/sweeping-promises---you-say-i-romanticize_1.jpg?v=1789678016"},{"product_id":"king-gizzard-the-lizard-wizard-made-in-timeland","title":"King Gizzard \u0026 The Lizard Wizard - Made In Timeland","description":"\u003cp\u003e\u003cstrong\u003eBlack vinyl LP on KGLW. Housed in a brown paper bag.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade In Timeland is a two-track King Gizzard album built around extended fifteen-minute pieces, Timeland and Smoke \u0026amp; Mirrors.\u003c\/span\u003e\u003c\/p\u003e","brand":"KGLW","offers":[{"title":"Default Title","offer_id":50224948412554,"sku":"ryr1789678099628","price":16.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/king-gizzard-the-lizard-wizard---made-in-timeland_1.jpg?v=1789678108"},{"product_id":"pre-order-babe-rainbow-acid-and-honey","title":"Pre-Order: Babe Rainbow - Acid and Honey","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003ePressed in Gold 140 gm Vinyl, housed in a euro-style card sleeve, with embossed gold foiled sticker. Release date is October 2nd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFrom the heart of the Australian psych scene... rainbow rockers BABE RAINBOW return with their 7th studio album ‘ACID AND HONEY’ recorded on an op shop acoustic on a houseboat in Amsterdam and finished at zen master Mullarky’s Malibu ranch. Exciting country-pop beat production backs wailing Babe rainbow vocals on solid skanking hip-hop hard rocking finger funky sounds. The first single ‘POLYMUCALSACCHARIDE’ is just something Perry Farrell says and it means \"drool, like you're dribbling cos the truth is once you hit the road you don’t remember the good shows, they’re just like every other show.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Impressed Recordings","offers":[{"title":"Default Title","offer_id":50224948478090,"sku":"hbs1789678099615","price":18.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-babe-rainbow---acid-and-honey_1.png?v=1789678109"},{"product_id":"slift-fantasia","title":"SLIFT - Fantasia","description":"\u003cp\u003e\u003cstrong\u003eAvailable on Limited Loser Edition Sparkle Starlight Vinyl + Etched 4th Side.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e----------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the technical sense, every previous album by the radiant and heavy French trio SLIFT has been a fantasia—a composite of genres and forms that allowed the band to improvise, to jam on themes until they seemed to spiral together into space. Their acclaimed third album, 2024’s Ilion, was a sci-fi story built with 10- to 13-minute exploratory escapades, often starting with doom metal or stoner rock before spinning freely into glorious instrumental oblivion. But, in a bit of intentional irony, SLIFT’s fourth album is actually called Fantasia. It’s their leanest and most direct record to date. It is also their most riveting album yet, a pointed saga about overcoming international upheaval delivered by a band bearing down, not wasting a single second in the process.\u003c\/p\u003e\n\u003cp\u003eThough only Jean and bassist Rémi Fossat are related, SLIFT is essentially a band of brothers. They’ve been friends with drummer Canek Flores since high school, and 2026 marks a decade together in this trio. They rehearse with religious regularity in a basement in the countryside near Toulouse, inside the jam room where they’ve long indulged their propensity for longform wonder. But they built the songs of Fantasia differently. Jean started many of the songs by himself, then quickly brought them to basement rehearsals with a clear and concise idea of how he imagined them taking shape. By the time they crossed France’s northern border into Belgium to record in the enormous live room at Daft Studios, they had a tight set of lean, agile, and punchy songs.\u003c\/p\u003e\n\u003cp\u003eThe band’s vast influences are evident: the album evokes Clutch getting wild, John Coltrane, Charlie Parker, Soviet writer Mikhail Bulgakov, Pink Floyd, and Master of Reality-era Sabbath. And the sonic tapestry is aided by the skillful mixing of Kurt Ballou (Converge, Cave In, High on Fire). The songs aren’t lacking the complexity or intensity that have made SLIFT a rising star in heavy music; they’ve simply found new ways to weave the complexities of their past inside every piece, like a tapestry that reveals a new layer every time you look. In doing so, they offer an affirming and urgent message: Together, we can still change the times in which we live.\u003c\/p\u003e\n\u003cp\u003eIt is dreadfully easy these days to feel powerless. SLIFT reckons directly with the modern onslaught of cruelty and absurdity on Fantasia, whether that’s not caring about our home planet or one another. But these eight songs are about trusting in some hidden power for fighting back, for believing in a world where something we cannot yet articulate or define offers not just a way to disrupt the status quo but perhaps to destroy it completely. SLIFT is loud, heavy, and aggressive inside these anthems. They’re preparing for a battle they think we can still win.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":50224949264522,"sku":"yzw1789678129061","price":20.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/slift---fantasia_1.jpg?v=1789678137"},{"product_id":"king-gizzard-the-lizard-wizard-nonagon-infinity","title":"King Gizzard \u0026 The Lizard Wizard - Nonagon Infinity","description":"\u003cp\u003e\u003cstrong\u003eBioVinyl LP on Heavenly. Comes in a fully recyclable sleeve.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNonagon Infinity is a relentless psych-prog blast from King Gizzard \u0026amp; The Lizard Wizard, fusing hard-rock energy with the band's exploratory, improvisational streak.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cooperative Music","offers":[{"title":"Default Title","offer_id":50224949428362,"sku":"xeo1789678130240","price":20.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/king-gizzard-the-lizard-wizard---nonagon-infinity_1.jpg?v=1789678141"},{"product_id":"the-dharma-chain-some-kind-of-pure-state","title":"The Dharma Chain - Some Kind Of Pure State","description":"\u003cp\u003e\u003cstrong\u003eWhite Vinyl. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-----------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAustralian band The Dharma Chain \u003c\/span\u003e\u003cspan\u003epresent “Some Kind of Pure State”,\u003c\/span\u003e\u003cspan\u003e their second studio album, released via Spinda Records. A record that moves through neo-psychedelia, krautrock, shoegaze, and post-punk, building a powerful wall of sound charged with intensity and emotion. Featuring the singles “Red Red Red Red Red” and “Inside a \u003c\/span\u003e\u003cspan\u003eNew”,\u003c\/span\u003e\u003cspan\u003e the album has already caught the attention of media outlets such as KEXP, Radio 3, and Bandcamp Daily, while also arriving backed by appearances at festivals including Desertfest, Fuzz Club Festival, Sound Isidro, Manchester Psych Fest, and SXSW. Available in limited vinyl editions by Spinda Records, it is an ideal pick for fans of The Black Angels, The Brian Jonestown Massacre, Spacemen 3, and My Bloody Valentine. A release with strong appeal for indie audiences and collectors alike, perfect for standing out among new arrivals.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spinda Records","offers":[{"title":"Default Title","offer_id":50224949559434,"sku":"hsg1789678130776","price":18.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/the-dharma-chain---some-kind-of-pure-state_1.jpg?v=1789678143"},{"product_id":"cavs-sojourn","title":"CAVS – Sojourn","description":"\u003cp\u003e\u003cstrong\u003e180g 12\" injection-molded PET record on translucent orange. 12\" jacket with printed inner-sleeve. Housed in thick brown paper sleeve in lieu of shrinkwrap. Release date is April 24.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSojourn is the second album to come from Michael 'Cavs' Cavanagh (drummer of King Gizzard \u0026amp; The Lizard Wizard). For this record CAVS teamed up with longtime friend and kindred spirit Jim Rindfleish (drummer with Melbourne fusioneers, Mildlife), as well as some of the best players in Melbourne, Australia.\u003c\/p\u003e\n\u003cp\u003eSojourn’s imagery and world-building narrative are conjured wordlessly. These 10 instrumentals are rooted in CAVS’ love of spiritual jazz, prog and Krautrock, but never anchored to it. Sojourn’s imagery and world-building narrative are conjured wordlessly. These 10 instrumentals are rooted in CAVS’ love of spiritual jazz, prog and Krautrock, but never anchored to it.\u003c\/p\u003e","brand":"P(Doom) Records","offers":[{"title":"Default Title","offer_id":50224951918730,"sku":"whh1789678128767","price":29.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/cavs-sojourn_1.jpg?v=1789678161"},{"product_id":"king-gizzard-the-lizard-wizard-mild-high-club-sketches-of-brunswick-east","title":"King Gizzard \u0026 The Lizard Wizard \u0026 Mild High Club - Sketches Of Brunswick East","description":"\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSketches Of Brunswick East is a collaborative album by King Gizzard \u0026amp; The Lizard Wizard and Mild High Club, with a jazz-oriented psychedelic sound.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cooperative Music","offers":[{"title":"Default Title","offer_id":50224952148106,"sku":"uod1789678164316","price":30.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/king-gizzard-the-lizard-wizard-mild-high-club---sketches-of-brunswick-east_1.jpg?v=1789678172"},{"product_id":"king-gizzard-the-lizard-wizard-paper-mache-dream-balloon","title":"King Gizzard \u0026 The Lizard Wizard - Paper Mache Dream Balloon","description":"\u003cp\u003e\u003cstrong\u003eBlack BioVinyl LP on Heavenly. Housed in a fully recyclable paper casing sleeve.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaper Mache Dream Balloon is an acoustic King Gizzard album recorded with acoustic instruments and a lighter psychedelic feel.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cooperative Music","offers":[{"title":"Default Title","offer_id":50224953131146,"sku":"pra1789678194347","price":22.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/king-gizzard-the-lizard-wizard---paper-mache-dream-balloon_1.jpg?v=1789678202"},{"product_id":"the-velvet-underground-nico-the-velvet-underground-nico","title":"The Velvet Underground Nico - The Velvet Underground \u0026 Nico","description":"\u003cp\u003eThe Velvet Underground \u0026amp; Nico’s revolutionary 1967 debut and one of the most influential albums ever made, bringing together art rock, drone, garage rock, avant-garde experimentation, street realism, pop melody, and New York underground culture into a record that changed the future of alternative music.\u003c\/p\u003e\n\u003cp\u003eStyle: Art rock, proto-punk, experimental rock, garage rock, drone, psychedelic rock, avant-pop\u003c\/p\u003e\n\u003cp\u003eReleased in 1967, The Velvet Underground \u0026amp; Nico is one of the most important debut albums in modern music. At the time of its release, it stood apart from almost everything around it. While much of the late-1960s rock world was moving toward psychedelic colour, utopian idealism, and expanding studio fantasy, The Velvet Underground created something colder, darker, more urban, and more confrontational. Their world was New York rather than San Francisco: street-level, literary, dangerous, elegant, damaged, and full of taboo subjects rarely addressed in rock music with such directness.\u003c\/p\u003e\n\u003cp\u003eThe album brought together Lou Reed, John Cale, Sterling Morrison, Maureen Tucker, and German singer Nico under the wider orbit of Andy Warhol’s Factory scene. Warhol’s involvement gave the group visibility, an artistic frame, and the famous banana cover, but the music itself was unlike any simple art-world accessory. Reed’s songwriting brought sharp observation, emotional ambiguity, and an ear for both pop simplicity and urban menace. Cale’s background in avant-garde and drone music gave the band its experimental edge. Morrison’s guitar helped define the group’s interlocking rock language, while Tucker’s minimal, floor-tom-driven drumming gave the music a stark and unusual pulse.\u003c\/p\u003e\n\u003cp\u003e Nico’s presence adds another layer to the album’s identity. Her low, detached voice on songs such as “Femme Fatale,” “All Tomorrow’s Parties,” and “I’ll Be Your Mirror” brings a ghostly, European quality that contrasts with Reed’s more conversational delivery. She does not sound like a conventional rock singer, which is precisely why her performances remain so striking. Her voice turns the songs into something glamorous, alienated, and strangely timeless.\u003c\/p\u003e\n\u003cp\u003eThe album’s opening track, “Sunday Morning,” is one of the most beautiful and deceptive beginnings in rock history. Its celesta-like shimmer, gentle melody, and soft vocal seem almost delicate, but beneath the surface lies paranoia, regret, and late-night unease. It introduces one of the album’s central qualities: the ability to make beauty and anxiety exist in the same space. The Velvet Underground were rarely interested in simple moods. Even their prettiest songs carry shadows.\u003c\/p\u003e\n\u003cp\u003e“I’m Waiting for the Man” immediately shifts the record into harsher territory. Built around a pounding piano figure and street-level narrative, the song presents a drug-buying trip with documentary directness and dry humour. It is not moralising, glamorous, or abstract. It simply places the listener inside a specific scene and lets the rhythm do the rest. “Venus in Furs,” driven by Cale’s viola drone and one of the album’s most hypnotic grooves, moves into sadomasochistic imagery and ritual atmosphere, turning literary transgression into dark, ceremonial rock.\u003c\/p\u003e\n\u003cp\u003e“Run Run Run” and “There She Goes Again” reveal the band’s garage-rock side: raw, repetitive, economical, and full of nervous energy. These tracks show how much of the Velvet Underground’s power came from directness. They could be avant-garde without abandoning the blunt force of rock ’n’ roll. This balance — between experiment and simplicity — is one of the reasons the album became such a foundation for punk, post-punk, indie rock, noise rock, and alternative music.\u003c\/p\u003e\n\u003cp\u003eThe Nico-fronted songs offer some of the album’s most elegant moments. “Femme Fatale” turns Warhol’s Factory glamour into a cool, melancholy pop miniature. “All Tomorrow’s Parties” is grander and more severe, with Nico’s voice floating over a relentless piano pulse and lyrics that seem to describe identity, costume, sadness, and social theatre. “I’ll Be Your Mirror” is one of Lou Reed’s most tender early songs, simple and direct, offering reassurance without sentimentality. In the middle of an album often defined by darkness, it provides a moment of startling compassion.\u003c\/p\u003e\n\u003cp\u003e“Heroin” remains one of the most radical tracks on the record. Its structure follows the rush and collapse suggested by the lyric, moving from quiet reflection to surging intensity and back again. Tucker’s drumming, Cale’s viola, Reed’s vocal, and the band’s rising velocity create a performance that feels unstable and alive. The song does not resolve neatly. It confronts the listener with desire, danger, escape, and self-destruction in a way that still feels unsettling.\u003c\/p\u003e\n\u003cp\u003e The album closes with its most abrasive material. “The Black Angel’s Death Song” pushes language and sound into jagged, surreal territory, while “European Son” abandons conventional song form almost entirely, becoming a long burst of noise, rhythm, and collapse. These tracks made clear that The Velvet Underground were not simply writing darker pop songs. They were also expanding what rock music could contain: drone, dissonance, repetition, noise, literary fragmentation, and deliberate discomfort.\u003c\/p\u003e\n\u003cp\u003eLyrically, the album was revolutionary because it treated subjects such as addiction, sexuality, sadomasochism, alienation, and urban survival with intelligence rather than sensationalism. Reed’s writing drew from literature, street observation, and emotional realism, giving rock music a new vocabulary. He did not write about rebellion as a pose; he wrote about people living on the edges of ordinary respectability, often with empathy, distance, wit, and unease all at once.\u003c\/p\u003e\n\u003cp\u003eThe sound of the record is equally important. It is not lush in the manner of many 1967 classics. It can be thin, raw, and abrasive, but that rawness became part of its power. The guitars grind and chime, the viola drones, the drums reject rock clichés, and the vocals often feel exposed rather than polished. The album sounds like a document from another world, one that was happening underneath the decade’s brighter mythology.\u003c\/p\u003e\n\u003cp\u003eThe cover artwork is one of the most famous in music history. Andy Warhol’s banana image, originally issued with a peelable sticker on early copies, turned the sleeve into both pop-art object and rock artefact. The stark white background and bold yellow banana created an image as instantly recognisable as the music itself. For collectors, original peelable banana sleeves, Verve pressings, mono and stereo editions, later reissues, and deluxe versions are all deeply significant parts of the album’s continuing mythology. \u003c\/p\u003e\n\u003cp\u003eIn the band’s discography, The Velvet Underground \u0026amp; Nico is the foundational statement. Later albums would explore different sides of the group: the extreme noise and distortion of White Light\/White Heat, the quieter intimacy of the self-titled third album, and the more direct songwriting of Loaded. But the debut remains the point where all the essential elements first collided: Reed’s writing, Cale’s drones, Tucker’s minimal rhythm, Morrison’s guitar, Nico’s voice, Warhol’s visual world, and the atmosphere of the New York underground.\u003c\/p\u003e\n\u003cp\u003eThe album’s influence is almost impossible to measure. Its initial sales were modest, but its effect on later music was enormous. Punk, post-punk, goth, noise rock, indie rock, art rock, alternative rock, shoegaze, experimental pop, and countless underground scenes took something from it. Its real legacy is not only sonic, but conceptual. It showed that rock music could be literary, ugly, beautiful, minimal, confrontational, tender, repetitive, and radically honest.\u003c\/p\u003e\n\u003cp\u003eMore than five decades after its release, The Velvet Underground \u0026amp; Nico still feels dangerous and modern. “Sunday Morning” still shimmers with uneasy beauty. “I’m Waiting for the Man” still pounds with street-level force. “Venus in Furs” still sounds ritualistic and strange. “All Tomorrow’s Parties” still carries an almost mythic sadness. “Heroin” still feels unstable, brave, and unresolved. The record belongs to 1967, but it refuses to be contained by its moment. \u003c\/p\u003e\n\u003cp\u003eThe Velvet Underground \u0026amp; Nico is one of the true origin points of alternative music: a record where art, noise, poetry, pop, drone, sexuality, addiction, tenderness, and urban darkness become one extraordinary statement. From the fragile beauty of “Sunday Morning” to the destructive noise of “European Son,” it remains a landmark debut — radical, influential, unsettling, beautiful, and absolutely essential.\u003c\/p\u003e\n\u003cp\u003eKey highlights\u003c\/p\u003e\n\u003cp\u003eArtist: The Velvet Underground \u0026amp; Nico\u003c\/p\u003e\n\u003cp\u003eTitle: The Velvet Underground \u0026amp; Nico\u003c\/p\u003e\n\u003cp\u003eOriginally released: 1967\u003c\/p\u003e\n\u003cp\u003eRecorded at: Scepter Studios, New York; T.T.G. Studios, Hollywood; Mayfair Recording Studios, New York\u003c\/p\u003e\n\u003cp\u003eProducer: Andy Warhol; Tom Wilson\u003c\/p\u003e\n\u003cp\u003eKey tracks: “Sunday Morning,” “I’m Waiting for the Man,” “Femme Fatale,” “Venus in Furs,” “All Tomorrow’s Parties,” “Heroin,” “I’ll Be Your Mirror,” “European Son”\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50224953196682,"sku":"lej1789678182256","price":23.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/the-velvet-underground-nico---the-velvet-underground-nico_1.jpg?v=1789678203"},{"product_id":"las-robertas-all-we-need-is-now","title":"Las Robertas - All We Need Is Now","description":"\u003cp\u003e\u003cstrong\u003eBlack Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Costa Rica, Las Robertas return with \u003c\/span\u003e\u003cem\u003eAll We Need Is Now\u003c\/em\u003e\u003cspan\u003e, their fifth studio album and the first since 2023. Released through Spinda Records, the band delivers a record that wholeheartedly embraces 1960s psychedelia alongside the britpop and shoegaze sounds of the 1990s, drawing close to the sonic universe of bands such as Lush, The Charlatans, Primal Scream, Oasis, Ride, and Slowdive. The album brings together nine songs revolving around living in the present, overcoming fear, and personal healing processes, and has already won over media outlets such as Radio 3, KEXP, and Rockdelux. Available in limited black vinyl edition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spinda Records","offers":[{"title":"Default Title","offer_id":50224953589898,"sku":"xew1789678215765","price":18.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/las-robertas---all-we-need-is-now_1.jpg?v=1789678225"},{"product_id":"eddy-current-suppression-ring-in-light-of-recent-events","title":"Eddy Current Suppression Ring - In Light Of Recent Events","description":"\u003cp\u003e\u003cstrong\u003eBlack LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-----------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEddy Current Suppression Ring make a surprise return with their sixth album In Light of Recent Events. True to form, it finds the disinterested careerists sidestepping expectation and working on their own terms, in their own time. Dialled in through closed-door weekly jams across 2025, that pent-up energy has only leaked via pseudonym-billed small-room shows as Jimmy and the Ringtones and Top Hats, record shop in-stores and country detours, plus a pair of phantom straight-to-YouTube singles (‘Swimming Hole’ and ‘Hard To Be Moved’), each with accompanying films by Chris Middlebrook and Amiel Courtin-Wilson respectively.\u003c\/p\u003e\n\u003cp\u003eModern-day anxiety and human disillusionment press through the album’s darker, more politically aware subject matter, as suburban melodramas and tender, hard-hitting reflections articulate everything you’ve never been able to. Taped within the band’s signature close-quarters claustrophobia, Brendan Suppression purges his dome with a newly awakened vocal range, while riff savant Eddy Current bleeds through quicksilver, blood-raw scratches, cut against the tension-wound, locked-in low end of Danny Current and Rob Solid.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"500\" src=\"https:\/\/www.youtube.com\/embed\/ii-5LtaCPo4?si=2d8suFINPa0TtYFS\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"SR Records","offers":[{"title":"Default Title","offer_id":50224953655434,"sku":"bwh1789678219323","price":15.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/eddy-current-suppression-ring---in-light-of-recent-events_1.jpg?v=1789678228"},{"product_id":"massive-attack-mezzanine","title":"Massive Attack - Mezzanine","description":"\u003cp\u003eMassive Attack’s darkest and most powerful album, and a landmark in the evolution of trip-hop, electronic music, alternative rock, and late-1990s British music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Trip-hop, electronica, downtempo, alternative, dub, darkwave, industrial rock\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMezzanine\u003c\/em\u003e is the sound of Massive Attack turning inward, downward, and darker than ever before. Released in 1998, the Bristol group’s third studio album moved away from the warmer soul, dub, and hip-hop textures of their earlier work and entered a heavier, more claustrophobic world of distorted bass, shadowed electronics, rock influence, paranoia, and emotional dread. It is cinematic, nocturnal, sensual, and deeply uneasy — a record that feels less like a collection of songs than a descent into a private underground city.\u003c\/p\u003e\n\u003cp\u003eBefore \u003cem\u003eMezzanine\u003c\/em\u003e, Massive Attack had already helped define one of the most important British sounds of the 1990s. Their 1991 debut, \u003cem\u003eBlue Lines\u003c\/em\u003e, fused hip-hop, dub, soul, reggae, and soundsystem culture into something spacious and new, becoming one of the foundational albums of what would later be called trip-hop. \u003cem\u003eProtection\u003c\/em\u003e, released in 1994, expanded that language with smoother textures, guest vocals, and a more polished sense of melancholy. By the time they began work on \u003cem\u003eMezzanine\u003c\/em\u003e, Massive Attack were no longer simply innovators within the Bristol scene. They were one of the most influential groups in modern British music.\u003c\/p\u003e\n\u003cp\u003eThe group’s core creative figures during this period were Robert “3D” Del Naja, Grant “Daddy G” Marshall, and Andrew “Mushroom” Vowles, though the making of \u003cem\u003eMezzanine\u003c\/em\u003e was marked by tension and creative disagreement. Mushroom was reportedly less enthusiastic about the album’s darker, more guitar-heavy direction, while 3D pushed the music toward colder, heavier, and more abrasive territory. That internal friction can be felt in the finished record. \u003cem\u003eMezzanine\u003c\/em\u003e sounds like music made under pressure: beautiful, controlled, and haunted, but also heavy with conflict.\u003c\/p\u003e\n\u003cp\u003eThe album opens with “Angel,” one of Massive Attack’s most commanding tracks. Built around a slow, immense bassline and Horace Andy’s unmistakable vocal, it grows gradually from menace into overwhelming force. The track is a masterclass in tension. Nothing is rushed. The beat is heavy, the space is deep, and the arrangement expands like something dangerous approaching through fog. Andy’s voice, already central to Massive Attack’s earlier work, is transformed here into something ghostly and prophetic. “Angel” immediately establishes \u003cem\u003eMezzanine\u003c\/em\u003e as a darker, more physical album than anything the group had previously released.\u003c\/p\u003e\n\u003cp\u003e“Risingson” follows with a mood of paranoia, urban fatigue, and psychological pressure. The track is built from murky textures, low-slung rhythm, and half-spoken vocals that sound both intimate and disconnected. Its title, wordplay, and atmosphere suggest altered states, insomnia, and the disorientating rhythms of late-night city life. Massive Attack had always been masters of space, but on \u003cem\u003eMezzanine\u003c\/em\u003e that space becomes threatening. Silence is no longer simply atmospheric; it feels like surveillance, distance, and danger.\u003c\/p\u003e\n\u003cp\u003e“Teardrop” is the album’s most famous and emotionally luminous track. Featuring Elizabeth Fraser of Cocteau Twins on vocals, it combines a delicate harpsichord-like figure, heartbeat rhythm, and one of the most haunting vocal performances of the 1990s. Fraser’s lyrics are elusive, but her delivery carries grief, wonder, fragility, and transcendence. Within the darkness of \u003cem\u003eMezzanine\u003c\/em\u003e, “Teardrop” feels like a suspended light. It is beautiful, but not comforting in any simple way. Its beauty is fragile, surrounded by shadow.\u003c\/p\u003e\n\u003cp\u003eThe song’s place in popular culture has only grown over time, partly through its use in film, television, and advertising, but its power begins with the recording itself. “Teardrop” shows Massive Attack’s ability to create music that is both experimental and deeply accessible. The arrangement is minimal, but every element is perfectly placed: the pulse, the keys, the bass, the voice, the atmosphere. It is one of the group’s defining achievements.\u003c\/p\u003e\n\u003cp\u003e“Inertia Creeps” brings Middle Eastern-influenced textures, dub pressure, and one of the album’s most hypnotic grooves. The track is tense, sensual, and claustrophobic, with 3D’s vocal sounding trapped inside the rhythm. Its title captures one of \u003cem\u003eMezzanine\u003c\/em\u003e’s central feelings: movement without escape, desire without release, pressure that builds slowly rather than exploding. Massive Attack’s music often works through repetition, but here repetition becomes psychological. The track feels like being caught in a loop of memory, attraction, and dread.\u003c\/p\u003e\n\u003cp\u003e“Exchange” offers a brief instrumental shift, built around a sample that brings a smoky, almost vintage soul atmosphere into the album’s otherwise dark electronic world. Its presence is important because it reminds the listener of Massive Attack’s earlier roots in soul, hip-hop, and sample culture. Even on their bleakest album, the group’s sense of musical history remains present. The past appears in fragments, loops, and textures, like records playing in another room.\u003c\/p\u003e\n\u003cp\u003e“Dissolved Girl,” featuring vocals from Sarah Jay Hawley, is one of the album’s most intense fusions of electronic atmosphere and rock weight. The track moves from quiet, tense verses into distorted guitar-driven surges, showing how far Massive Attack had moved from the smoother surfaces of \u003cem\u003eProtection\u003c\/em\u003e. Hawley’s vocal is vulnerable but forceful, and the song’s shifts in volume and texture give it a sense of emotional rupture. It is one of the clearest examples of \u003cem\u003eMezzanine\u003c\/em\u003e’s connection to alternative rock and industrial-tinged darkness.\u003c\/p\u003e\n\u003cp\u003e“Man Next Door” is built around Horace Andy’s spectral interpretation of a song associated with John Holt and The Paragons, filtered through Massive Attack’s deep dub atmosphere. The track is full of dread, neighbourly threat, and urban unease. Andy’s voice carries both sweetness and fear, while the production surrounds him with low-end pressure and echo. It is one of the album’s strongest links to reggae and dub tradition, but it feels completely integrated into the cold, shadowy architecture of \u003cem\u003eMezzanine\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e“Black Milk,” featuring Elizabeth Fraser again, is one of the album’s most mysterious and beautiful pieces. Its rhythm is slow and submerged, its textures are darkly sensual, and Fraser’s voice floats through the track like an apparition. The song is less immediately anthemic than “Teardrop,” but it is just as important to the album’s atmosphere. It captures the nocturnal, dreamlike quality that makes \u003cem\u003eMezzanine\u003c\/em\u003e so immersive. The track feels intimate and unreachable at the same time.\u003c\/p\u003e\n\u003cp\u003e“Mezzanine,” the title track, is one of the record’s heavier and more abrasive moments. It pushes the album further into a world of distorted textures, tense rhythm, and dark electronic architecture. The title itself suggests an in-between space: neither ground floor nor upper level, neither public nor fully hidden. That sense of suspension suits the album perfectly. \u003cem\u003eMezzanine\u003c\/em\u003e often feels like music made in thresholds — between trip-hop and rock, dub and industrial, intimacy and alienation, beauty and threat.\u003c\/p\u003e\n\u003cp\u003e“Group Four” is one of the album’s most dramatic late tracks. Featuring vocals from Elizabeth Fraser and 3D, it builds slowly from eerie restraint into a heavy, almost apocalyptic climax. The song’s structure shows Massive Attack’s patience and control. They allow tension to accumulate over time, layering voices, rhythm, bass, and noise until the track becomes overwhelming. It is one of the record’s most powerful examples of mood as architecture: a song built like a dark corridor that gradually collapses inward.\u003c\/p\u003e\n\u003cp\u003eThe album closes with “Exchange,” returning in a second version that brings the record back to a more reflective, sampled atmosphere. After the heaviness of “Group Four,” this ending feels like an afterimage: a fragment of warmth, memory, and distance. It does not resolve the album’s darkness, but it lets it fade into something more ambiguous. \u003cem\u003eMezzanine\u003c\/em\u003e ends not with triumph, but with residue.\u003c\/p\u003e\n\u003cp\u003eIn Massive Attack’s discography, \u003cem\u003eMezzanine\u003c\/em\u003e occupies a central and defining position. \u003cem\u003eBlue Lines\u003c\/em\u003e may be the foundational debut, and \u003cem\u003eProtection\u003c\/em\u003e may be the smoother, more soulful second statement, but \u003cem\u003eMezzanine\u003c\/em\u003e is the album where the group’s sound became most iconic and most severe. It is also the last album to feature Mushroom as a member, marking the end of one phase of Massive Attack’s history. Later records such as \u003cem\u003e100th Window\u003c\/em\u003e and \u003cem\u003eHeligoland\u003c\/em\u003e would continue to explore darkness, electronics, and collaboration, but \u003cem\u003eMezzanine\u003c\/em\u003e remains the group’s most complete and widely celebrated work.\u003c\/p\u003e\n\u003cp\u003eThe album’s importance in the wider world of music is enormous. It helped prove that trip-hop could evolve beyond smoky downtempo cool into something heavier, stranger, and more psychologically intense. Its influence can be heard across electronic music, alternative rock, industrial, dark pop, post-rock, film scores, television soundtracks, and countless artists interested in combining beats, bass, atmosphere, and emotional unease. \u003cem\u003eMezzanine\u003c\/em\u003e became a reference point for how dark electronic music could still feel intimate, melodic, and cinematic.\u003c\/p\u003e\n\u003cp\u003eWhat makes \u003cem\u003eMezzanine\u003c\/em\u003e so enduring is its atmosphere. Many albums are described as dark, but this one feels genuinely shadowed from the inside. Its darkness is not theatrical in a gothic sense, nor simply aggressive in a rock sense. It is slow, urban, erotic, paranoid, and immersive. The bass frequencies feel like architecture. The voices feel like ghosts. The beats move with the weight of footsteps in empty streets. It is a record built from pressure and negative space.\u003c\/p\u003e\n\u003cp\u003eThe guest vocalists are essential to the album’s power. Horace Andy brings continuity with Massive Attack’s earlier work while sounding more spectral than ever. Elizabeth Fraser brings a fragile, otherworldly beauty that cuts through the album’s density. Sarah Jay Hawley gives “Dissolved Girl” its human urgency and emotional fracture. Massive Attack’s genius has often involved creating spaces where distinctive voices can become part of a larger sonic environment, and \u003cem\u003eMezzanine\u003c\/em\u003e is one of their greatest achievements in that respect.\u003c\/p\u003e\n\u003cp\u003eThe cover artwork, featuring a close-up image of a stag beetle, perfectly matches the album’s mood. It is stark, black, organic, and unsettling. The insect image suggests armour, night, survival, and unease. Like the music, it is beautiful in a threatening way. The sleeve became one of the most recognisable visual statements of late-1990s electronic music: minimal, dark, and instantly associated with the album’s atmosphere.\u003c\/p\u003e\n\u003cp\u003eFor collectors, \u003cem\u003eMezzanine\u003c\/em\u003e is indispensable. It is one of the essential albums of the 1990s, one of the defining releases in Massive Attack’s catalogue, and a key record for anyone interested in trip-hop, electronic music, alternative rock, Bristol music, or dark cinematic production. Original pressings, later vinyl editions, anniversary reissues, and remastered versions all carry strong interest, partly because the album’s sound is so deep, physical, and suited to immersive listening.\u003c\/p\u003e\n\u003cp\u003eMore than two decades after its release, \u003cem\u003eMezzanine\u003c\/em\u003e still feels modern. Its production has not softened into nostalgia, and its darkness has not lost force. “Angel” still sounds enormous, “Teardrop” still feels suspended in air, “Inertia Creeps” still coils with tension, and “Group Four” still builds with frightening patience. Many records from the late 1990s sound tied to their moment; \u003cem\u003eMezzanine\u003c\/em\u003e feels like it is still waiting in the dark.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMezzanine\u003c\/em\u003e is Massive Attack at their most powerful and uncompromising: a record where trip-hop’s smoky atmospheres are transformed into something heavier, colder, and more cinematic. From the slow-burning menace of “Angel” to the fragile beauty of “Teardrop,” from the dub dread of “Man Next Door” to the apocalyptic build of “Group Four,” it remains a landmark of late-1990s music and one of the great dark masterpieces of modern electronic sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey highlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Massive Attack\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eMezzanine\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eOriginally released:\u003c\/strong\u003e 1998\u003cbr\u003e\u003cstrong\u003eKey vocalists:\u003c\/strong\u003e Horace Andy, Elizabeth Fraser, Sarah Jay Hawley\u003cbr\u003e\u003cstrong\u003eKey tracks:\u003c\/strong\u003e “Angel,” “Risingson,” “Teardrop,” “Inertia Creeps,” “Dissolved Girl,” “Man Next Door,” “Black Milk,” “Group Four”\u003c\/p\u003e","brand":"UMC - Virgin Domestic","offers":[{"title":"Default Title","offer_id":50224954900618,"sku":"kbv1789678271546","price":31.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/massive-attack---mezzanine_1.jpg?v=1789678283"},{"product_id":"fu-manchu-in-search-of30th-anniversary-edition","title":"Fu Manchu - In Search Of...30th Anniversary Edition","description":"\u003cp\u003e\u003cstrong\u003eDouble LP pressed on Red Blue Vinyl \u0026amp; Custom Night Sky Vinyl. Each LP comes in a printed sleeve with never before seen images, housed in a gatefold package with never before seen photos of the band.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo celebrate the 30th Anniversary of the band's 3rd album and major label debut from 27 February, 1996, Fu Manchu are releasing \u003cem\u003eIn Search Of...30th Anniversary Edition\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded at Grandmaster Studios in Hollywood, California by the band and Brian Jenkins (KYUSS, SCREAMING TREES), \u003cem\u003eIn Search Of...\u003c\/em\u003e is considered a classic of the '90s and a pillar for the stoner rock movement. Highlights include the lead single \"Asphalt Risin',\" \"Redline\" and fan favorite \"Cyclone Launch.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis limited edition 2,000 unit run features newly remastered audio on both LPs. The second LP contains the previously released demos for the album that the band recorded themselves in 1995 on a 4-track Tascam.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP1: Regal Begal; Missing Link; Asphalt Risin; Neptune's Convoy; Redline; Cyclone Launch; Strato-Streak; Solid Hex; The Falcon Has Landed; Seahag; The Bargain; Supershooter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP2: Regal Begal (DEMO); Missing Link (DEMO); Asphalt Risin' (DEMO); Neptune's Convoy (DEMO); Cyclone Launch (DEMO); The Falcon Has Landed (DEMO); Seahag (DEMO); Supershooter (DEMO).\u003c\/span\u003e\u003c\/p\u003e","brand":"At The Dojo","offers":[{"title":"Default Title","offer_id":50224957587594,"sku":"eon1789678301108","price":21.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/fu-manchu---in-search-of30th-anniversary-edition_1.jpg?v=1789678313"},{"product_id":"jack-white-frozen-charlotte","title":"Jack White - Frozen Charlotte","description":"\u003cp\u003e\u003cstrong\u003eIndies Only Edition - Solid Blue Vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrozen Charlotte - the 7th studio album from Jack White shows the Rock and Roll Hall of Famer at his best; backed by an incredible band (Patrick Keeler on drums, Dominic Davis on bass, Bobby Emmett on keys) whose collective hand is scorching hot after coming off a tour of universally-acclaimed performances. Instead of resting on a “job well done”, they went straight to work in the studio and laid down what became Frozen Charlotte.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded in White's Third Man Studio in Nashville, this album shows Jack carrying on the same raucous, raw, and frenetic energy from his lauded 2024 album, No Name. 13 tracks of distinct feel and tone, Frozen Charlotte is an intense rock and roll punch with never far behind blues underpinnings... all of which fits right at home with long time fans while leaving an inviting open door to newcomers alike.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records","offers":[{"title":"Default Title","offer_id":50224958046346,"sku":"spz1789678325980","price":19.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/jack-white---frozen-charlotte_1.jpg?v=1789678335"},{"product_id":"pre-order-acid-mothers-temple-the-melting-paraiso-ufo-in-a-not-c","title":"Pre-Order: Acid Mothers Temple \u0026 The Melting Paraiso U.F.O - In A not C","description":"\u003cp\u003e\u003cstrong\u003eLP. First pressing on clear vinyl. Release date is September 11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMore than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata, including the INUI series and the classic Kawabata\/Youngs release, comes the first proper VHF LP by the prolific quintet.\u003c\/p\u003e\n\u003cp\u003eOne of an occasional series of minimalism-inspired LPs by the group, \u003cem\u003eIn A not C\u003c\/em\u003e is not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness. Like the band’s well-known 2001 version of Terry Riley’s \u003cem\u003eIn C\u003c\/em\u003e, the group uses a small cell of repeating sound as a jumping-off point and then gradually revs up to maximum velocity.\u003c\/p\u003e\n\u003cp\u003eThe current Acid Mothers Temple lineup has produced a series of unique variants on the band’s longstanding signatures, with vocalist and guitarist Jyonson Tsu and drummer Satoshima Nani providing a lightness and nimbleness of touch that resets the context of the band’s blazing electric guitar and burbling synth.\u003c\/p\u003e\n\u003cp\u003eBoth sides build to a multi-layered crescendo, with loops of Tsu’s gentle vocals competing with frenetic drums, whistling electronics, and guitar that alternates trebly feedback and soft arpeggios. Cut by Golden and pressed in Chicago at Smashed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. In Astrochoid Not Chaosillate, Pt. 1\u003cbr\u003e2. In Astrochoid Not Chaosillate, Pt. 2\u003c\/p\u003e","brand":"VHF Records","offers":[{"title":"Default Title","offer_id":50224959684746,"sku":"xbp1789678387455","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-acid-mothers-temple-the-melting-paraiso-ufo---in-a-not-c_1.jpg?v=1789678393"},{"product_id":"pre-order-osees-live-in-los-angeles","title":"Pre-Order: Osees - Live In Los Angeles","description":"\u003cp\u003e\u003cstrong\u003eAvailable as a double LP on limited ultra clear vinyl (300 copies only) and double LP on black vinyl. Release date is September 11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded live at the Teragram Ballroom in Los Angeles during Osees' six-show 2025 residency, \u003cem\u003eLive In Los Angeles\u003c\/em\u003e is culled from the final three shows and captures the band as a six-piece with Brigid Dawson.\u003c\/p\u003e\n\u003cp\u003eJohn Dwyer: vocals, guitar and synth\u003cbr\u003eBrigid Dawson: vocals and percussion\u003cbr\u003eTom Dolas: guitar and keys\u003cbr\u003eTim Hellman: bass\u003cbr\u003ePaul Quattrone: drums\u003cbr\u003eDan Rincon: drums\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e Crushed Grass; The Dream; Poison Finger; It Killed Mom; Meat Step; Rainbow; Ruby Go Home; Grease 2; Minotaur; I Was; Denied; Encrypted Bounce; Humans Be Swayed; Maria; Block Of Ice.\u003c\/p\u003e\n\u003cp\u003eLive sound by Joey Oaxaca and Jeremy Katz. Mixed at Stu Stu Studio by JPD and mastered by JJ Golden. Cover still by Delaney Schenker; back cover, labels and insert art by Alexis Cros; layout by Ethan Miller.\u003c\/p\u003e","brand":"Deathgod Corp","offers":[{"title":"Limited Ultra Clear Vinyl 2LP","offer_id":50224959881354,"sku":"ham1789678391695","price":31.2,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl 2LP","offer_id":50224959914122,"sku":"lip1789678391696","price":39.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-osees---live-in-los-angeles_1.png?v=1789678398"},{"product_id":"pre-order-tropical-fuck-storm-inflatable-graveyard-vol-2","title":"Pre-Order: Tropical Fuck Storm - Inflatable Graveyard Vol. 2","description":"\u003cp\u003e\u003cstrong\u003eIndies Only Edition - Transparent Turquoise Vinyl. Release date is October 16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTropical Fuck Storm revisit the live album concept on \u003cem\u003eInflatable Graveyard Vol. 2\u003c\/em\u003e, their second live album and the follow-up to the critically acclaimed \u003cem\u003eFairyland Codex\u003c\/em\u003e. Recorded over three nights during a sold-out residency at New York venue TV Eye, the album finds the band turning already combustible songs into something even more ferocious and unpredictable.\u003c\/p\u003e\n\u003cp\u003eFine-tuned and road-tested through heavy touring, songs from \u003cem\u003eFairyland Codex\u003c\/em\u003e are stretched into new forms. The band also revisit back-catalogue favourites including “Who’s My Eugene?” and “You Let My Tyres Down”, alongside a cover of Australian punk heroes The Saints’ “This Perfect Day”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003eSide One\u003cbr\u003eA1 Irukandji Syndrome (Live at TV Eye NYC)\u003cbr\u003eA2 Bloodsport (Live at TV Eye NYC)\u003cbr\u003eA3 Goon Show (Live at TV Eye NYC)\u003cbr\u003eA4 Stepping on a Rake (Live at TV Eye NYC)\u003cbr\u003e\u003cbr\u003eSide Two\u003cbr\u003eB1 Who’s My Eugene? (Live at TV Eye NYC)\u003cbr\u003eB2 Moscovium (Live at TV Eye NYC)\u003cbr\u003eB3 You Let My Tyres Down (Live at TV Eye NYC)\u003cbr\u003eB4 This Perfect Day (Live at TV Eye NYC)\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":50224959946890,"sku":"flf1789678390042","price":22.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-tropical-fuck-storm---inflatable-graveyard-vol-2_1.jpg?v=1789678398"},{"product_id":"pre-order-fontaines-dc-dopamine-chamber","title":"Pre-Order: Fontaines D.C. - Dopamine Chamber","description":"\u003cp\u003e\u003cstrong\u003eIndies Only Blue Marble LP, Blue Vinyl LP and CD. Release date is October 16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFontaines D.C. announce their fifth studio album, \u003cem\u003eDopamine Chamber\u003c\/em\u003e, released via XL Recordings. Produced by James Ford, it follows 2024's \u003cem\u003eRomance\u003c\/em\u003e and finds the band moving into a colder, stranger and more synthetic sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDopamine Chamber\u003c\/em\u003e pairs potent balladry and anthemic melodies with cold synthesiser tones, marching drums, samples, triggers and the swooning strings of 1960s Italian pop. Across the album, Grian Chatten, Carlos O'Connell, Conor Curley, Conor Deegan and Tom Coll move between gratification and dread, reflecting on artificial intelligence, environmental collapse, political violence and the endless refresh of a screen.\u003c\/p\u003e\n\u003cp\u003eThe album was made with James Ford between London, the English countryside and Palermo. It arrives alongside the single \"Marianne\" and its video directed by Dave Meyers.\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Indies Only Blue Marble LP","offer_id":50224960012426,"sku":"vzy1789678388416","price":23.56,"currency_code":"USD","in_stock":true},{"title":"Blue Vinyl LP","offer_id":50224960045194,"sku":"ado1789678388417","price":23.56,"currency_code":"USD","in_stock":true},{"title":"Black LP","offer_id":50224960077962,"sku":"low1789678388418","price":17.42,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":50224960110730,"sku":"mcd1789678388419","price":9.23,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-fontaines-dc---dopamine-chamber_1.jpg?v=1789678399"},{"product_id":"pre-order-coffin-out-in-oslo","title":"Pre-Order: C.O.F.F.I.N - Out In Oslo","description":"\u003cp\u003e\u003cstrong\u003eLP. 180g black injection-moulded PET vinyl housed in a printed inner sleeve with an A2 fold-out poster. Packaged together in a 100% recycled plastic sleeve. Release date is September 18.\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"p(doom)","offers":[{"title":"Default Title","offer_id":50224960307338,"sku":"dit1789678393669","price":23.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-coffin---out-in-oslo_1.jpg?v=1789678404"},{"product_id":"pre-order-king-gizzard-the-lizard-wizard-12-bar-bruise","title":"Pre-Order: King Gizzard \u0026 the Lizard Wizard - 12 Bar Bruise","description":"\u003cp\u003e\u003cstrong\u003e180g 12-inch injection-molded opaque black PET record. The 12-inch jacket includes a printed inner sleeve and is housed in a 100% recycled plastic over bag. Release date is October 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 Bar Bruise is the debut studio album by Australian psychedelic rock band King Gizzard \u0026amp; the Lizard Wizard. Originally released on September 7, 2012, it follows the Willoughby's Beach EP and pushes further into DIY garage rock. This edition was sustainably made using injection-mold technology and PET plastic, the same type of plastic used for water bottles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003eA1. Elbow\u003cbr\u003eA2. Muckracker\u003cbr\u003eA3. Nein\u003cbr\u003eA4. 12 Bar Bruise\u003cbr\u003eA5. Garage Liddiard\u003cbr\u003eA6. Sam Cherry's Last Shot\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eB1. High Hopes Low\u003cbr\u003eB2. Cut Throat Boogie\u003cbr\u003eB3. Bloody Ripper\u003cbr\u003eB4. Uh, Oh, I Called Mum\u003cbr\u003eB5. Sea Of Trees\u003cbr\u003eB6. Footy Footy\u003c\/p\u003e","brand":"p(doom) records","offers":[{"title":"Default Title","offer_id":50224960635018,"sku":"ihv1789678407911","price":24.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-king-gizzard-the-lizard-wizard---12-bar-bruise_1.jpg?v=1789678417"},{"product_id":"pre-order-gilla-band-pugnello","title":"Pre-Order: Gilla Band - Pugnello","description":"\u003cp\u003e\u003cstrong\u003eIndies Exclusive Pearl Vinyl housed in gatefold sleeve with 24-page booklet. Also available on Red \u0026amp; Black Marble vinyl. Release date is September 25\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGilla Band return with their fourth album, \u003cem\u003ePugnello\u003c\/em\u003e, released on Rough Trade Records. Recorded between 2022 and 2026 across Hellfire, Yellow Door Music Studio and Sonic Studios in Dublin, the album was produced by Gilla Band and recorded and mixed by Daniel Fox.\u003c\/p\u003e\n\u003cp\u003eThe record continues the Dublin quartet's exploratory approach to rock music, bringing together the idiosyncratic, abrasive and forward-thinking sound heard across \u003cem\u003eHolding Hands With Jamie\u003c\/em\u003e, \u003cem\u003eThe Talkies\u003c\/em\u003e and \u003cem\u003eMost Normal\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Angelus\u003c\/li\u003e\n\u003cli\u003ePlaceholder\u003c\/li\u003e\n\u003cli\u003eAlogia\u003c\/li\u003e\n\u003cli\u003eThree Hands Clapping\u003c\/li\u003e\n\u003cli\u003eJacobsons\u003c\/li\u003e\n\u003cli\u003eThe Megazord\u003c\/li\u003e\n\u003cli\u003eComputer Sadness\u003c\/li\u003e\n\u003cli\u003eGiraffe\u003c\/li\u003e\n\u003cli\u003eCrisp Pop\u003c\/li\u003e\n\u003cli\u003eThe Gallop\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Rough Trade Records","offers":[{"title":"Pearl Vinyl (Deluxe Gatefold)","offer_id":50224961290378,"sku":"sdw1789678426747","price":29.9,"currency_code":"USD","in_stock":true},{"title":"Red \u0026 Black Marble","offer_id":50224961323146,"sku":"icy1789678426748","price":17.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-gilla-band---pugnello_1.jpg?v=1789678439"},{"product_id":"pre-order-king-gizzard-the-lizard-wizard-eyes-like-the-sky","title":"Pre-Order: King Gizzard \u0026 the Lizard Wizard - Eyes Like The Sky","description":"\u003cp\u003e\u003cstrong\u003e180g 12-inch injection-molded crystal clear PET record. The 12-inch jacket includes a printed inner sleeve and is housed in a 100% recycled plastic over bag. Release date is October 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEyes Like the Sky is the second studio album by Australian rock band King Gizzard \u0026amp; the Lizard Wizard. Originally released in February 2013, it has been described as a cult western audiobook. The album is narrated and written by Broderick Smith, frontman of the 1970s Australian rock group The Dingoes and father of King Gizzard keyboardist Ambrose Kenny-Smith. This edition was sustainably made using injection-mold technology and PET plastic, the same type of plastic used for water bottles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003eA1. Eyes Like The Sky\u003cbr\u003eA2. Year Of Our Lord\u003cbr\u003eA3. The Raid\u003cbr\u003eA4. Drum Run\u003cbr\u003eA5. Evil Man\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eB1. Fort Whipple\u003cbr\u003eB2. The God Mans Goat Lust\u003cbr\u003eB3. The Killing Ground\u003cbr\u003eB4. Dust In The Wind\u003cbr\u003eB5. Guns \u0026amp; Horses\u003c\/p\u003e","brand":"p(doom) records","offers":[{"title":"Default Title","offer_id":50224961421450,"sku":"bvc1789678430867","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-king-gizzard-the-lizard-wizard---eyes-like-the-sky_1.jpg?v=1789678442"},{"product_id":"pre-order-kneecap-3cag","title":"Pre-Order: Kneecap - 3CAG","description":"\u003cp\u003e\u003cstrong\u003eSquidgy Black Vinyl. Includes 3mm spine outer sleeve with gloss machine varnish, 200gsm inner sleeve with gloss machine varnish, 4pp insert, marketing sticker, polybag and download. Release date is September 25\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKneecap's \u003cem\u003e3CAG\u003c\/em\u003e mixtape, originally born in 2018, is pressed here on Squidgy Black Vinyl via Heavenly Recordings.\u003c\/p\u003e\n\u003cp\u003eThe release includes an outer sleeve, inner sleeve, 4pp insert, marketing sticker, polybag and download. The supplied sales notes describe the mixtape as mastered by Ciarán Byrne in Dublin.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYour All Legitimate Targets\u003c\/li\u003e\n\u003cli\u003eAmach Anocht\u003c\/li\u003e\n\u003cli\u003eTá na Baggies ar an Talamh\u003c\/li\u003e\n\u003cli\u003eCearta\u003c\/li\u003e\n\u003cli\u003eIncognito\u003c\/li\u003e\n\u003cli\u003eCeacht Mo Chara\u003c\/li\u003e\n\u003cli\u003eYour Sniffer Dogs Are Shite\u003c\/li\u003e\n\u003cli\u003eBouncers\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Heavenly Recordings","offers":[{"title":"Default Title","offer_id":50224961585290,"sku":"mjw1789678415058","price":13.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-kneecap---3cag_1.jpg?v=1789678451"},{"product_id":"pre-order-king-gizzard-the-lizard-wizard-infest-the-rats-nest","title":"Pre-Order: King Gizzard \u0026 the Lizard Wizard - Infest The Rats' Nest","description":"\u003cp\u003e\u003cstrong\u003e180g 12-inch injection-molded opaque black PET record. The 12-inch jacket includes a printed inner sleeve and a 24 x 36-inch poster, all housed in a 100% recycled plastic over bag. Release date is October 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInfest the Rats' Nest is the fifteenth studio album by Australian psychedelic rock band King Gizzard \u0026amp; the Lizard Wizard. A crowd favourite, it marks the band's first steps into thrash metal. This edition was sustainably made using injection-mold technology and PET plastic, the same type of plastic used for water bottles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003eA1. Planet B\u003cbr\u003eA2. Mars For The Rich\u003cbr\u003eA3. Organ Farmer\u003cbr\u003eA4. Superbug\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eB1. Venusian 1\u003cbr\u003eB2. Perihelion\u003cbr\u003eB3. Venusian 2\u003cbr\u003eB4. Self-Immolate\u003cbr\u003eB5. Hell\u003c\/p\u003e","brand":"p(doom) records","offers":[{"title":"Default Title","offer_id":50224962011274,"sku":"mip1789678461075","price":22.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-king-gizzard-the-lizard-wizard---infest-the-rats-nest_1.jpg?v=1789678470"},{"product_id":"pre-order-roky-erickson-the-evil-one","title":"Pre-Order: Roky Erickson - The Evil One","description":"\u003cp\u003e\u003cstrong\u003eDouble LP editions cut at 45 rpm. The Indies Only edition is pressed on Black \u0026amp; White Splatter Vinyl. Both editions include a collector's 24-page booklet and download card. Release date is October 30\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe seminal psych-rock classic \u003cem\u003eThe Evil One\u003c\/em\u003e by Roky Erickson and The Aliens is reissued by Fire Records in a deluxe 15-track edition, restoring the original front cover from the 1981 American LP edition.\u003c\/p\u003e\n\u003cp\u003ePresented across two LPs cut at 45 rpm, the release brings together the complete recordings from the 1978 and 1979 sessions. Produced by Creedence Clearwater Revival bassist Stu Cook, it includes \"Two Headed Dog\", \"I Walked With A Zombie\" and \"It's A Cold Night For Alligators\".\u003c\/p\u003e\n\u003cp\u003eThe collector's booklet features new liner notes by Austin music journalist Joe Nick Patoski, rare photographs and archival images from the collection of Roky's then manager, Craig Luckin.\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Black \u0026 White Splatter 2LP","offer_id":50224962175114,"sku":"ryv1789678459215","price":30.96,"currency_code":"USD","in_stock":true},{"title":"Black 2LP","offer_id":50224962207882,"sku":"qjm1789678459216","price":26.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-roky-erickson---the-evil-one_1.jpg?v=1789678473"},{"product_id":"pre-order-opus-kink-the-sweet-goodbye","title":"Pre-Order: Opus Kink - The Sweet Goodbye","description":"\u003cp\u003e\u003cstrong\u003eCream Vinyl LP. Release date is November 27\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith their ever-mutating brand of jazz-and-country-laced punk, Opus Kink have developed a sound underscored by a formidable horn section and ragged, sardonic delivery. Their music draws on post-punk and no-wave alongside choral, folk, country, Latin, Weimar cabaret and cruise-ship crooning.\u003c\/p\u003e\n\u003cp\u003eThe Sweet Goodbye is the Brighton band's debut album. It was produced and mixed by Grammy Award-winning producer Craig Silvey, with album track The Head Tree featuring The New Eves.\u003c\/p\u003e","brand":"So Recordings","offers":[{"title":"Default Title","offer_id":50224962764938,"sku":"dzk1789678487161","price":25.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-opus-kink---the-sweet-goodbye_1.jpg?v=1789678495"},{"product_id":"pre-order-king-gizzard-the-lizard-wizard-float-along-fill-your-lungs","title":"Pre-Order: King Gizzard \u0026 the Lizard Wizard - Float Along - Fill Your Lungs","description":"\u003cp\u003e\u003cstrong\u003e180g 12-inch injection-molded translucent black PET record. The 12-inch jacket includes a printed inner sleeve and is housed in a 100% recycled plastic over bag. Release date is October 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFloat Along - Fill Your Lungs is the third studio album by Australian psychedelic rock band King Gizzard \u0026amp; the Lizard Wizard. Steeped in psychedelic and Krautrock undertones, it is an early entry in the Gizzard catalogue. This edition was sustainably made using injection-mold technology and PET plastic, the same type of plastic used for water bottles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003eA1. Head On \/ Pill\u003cbr\u003eA2. I'm Not A Man Unless I Have A Woman\u003cbr\u003eA3. God Is Calling Me Back Home\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eB1. 30 Past 7\u003cbr\u003eB2. Let Me Mend The Past\u003cbr\u003eB3. Mystery Jack\u003cbr\u003eB4. Pop In My Step\u003cbr\u003eB5. Float Along - Fill Your Lungs\u003c\/p\u003e","brand":"p(doom) records","offers":[{"title":"Default Title","offer_id":50224962961546,"sku":"hre1789678493712","price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/9553\/3706\/files\/pre-order-king-gizzard-the-lizard-wizard---float-along---fill-your-lungs_1.jpg?v=1789678507"}],"url":"https:\/\/breathmeshfit.shop\/collections\/fuzz-club-recommends.oembed?page=2","provider":"My Store","version":"1.0","type":"link"}